meta_pixel
Tapesearch Logo
Log in
The New Yorker: The Writer's Voice - New Fiction from The New Yorker

Lara Vapnyar Reads “Deaf and Blind”

The New Yorker: The Writer's Voice - New Fiction from The New Yorker

The New Yorker

Newyorker, Authors, Yorker, Arts, New, Fiction

4.32.3K Ratings

🗓️ 18 April 2017

⏱️ 41 minutes

🧾️ Download transcript

Summary

Lara Vapnyar reads her story “Deaf and Blind” from the April 24, 2017, issue of the magazine. 

Learn about your ad choices: dovetail.prx.org/ad-choices

Transcript

Click on a timestamp to play from that location

0:00.0

This is The Writer's Voice, New Fiction from The New Yorker.

0:10.4

I'm Deppertreisman, fiction editor at The New Yorker.

0:13.5

On this episode of The Writer's Voice, we'll hear Lara Vapniar read her story,

0:18.0

Def and Blind, from the April 24th, 2017 issue of the magazine.

0:23.3

Vapniar has published two short story collections and three novels, including memoirs of Amuse and still here,

0:29.8

which came out last year, and was included in the New York Times 100 notable books of 2016.

0:35.7

Now here's Laura Vapniar.

0:38.6

Deaf and blind.

0:41.2

This deaf and blind man,

0:43.4

my mother's friend's lover,

0:45.4

was on his way to spend the evening.

0:48.0

His name was Sasha.

0:49.9

My mother's friend's name was Olga.

0:52.8

I had known her since I was a baby,

0:55.2

so I considered her my friend, too.

0:58.6

She was beautiful, more beautiful than my mother.

1:02.8

She had a long, soft body and peach-black hair that reached to her waist.

1:08.2

My mother and I also had dark hair,

1:10.5

but ours was messy and thin and

1:13.5

forgettable, while Olga's hair made people stare at her. Olga lived in a town on the Black Sea,

1:22.2

but she visited Moscow often, and she always brought a gift for me. My favorite was a necklace made of seashells. I loved to put

1:31.2

a tone and dance while Olga clapped and sang. Poor Olga, she's so good with kids, my mother

...

Please login to see the full transcript.

Disclaimer: The podcast and artwork embedded on this page are from The New Yorker, and are the property of its owner and not affiliated with or endorsed by Tapesearch.

Generated transcripts are the property of The New Yorker and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.

Copyright © Tapesearch 2026.