King Gizzard, Spotify, and the Future of Music
Galaxy Brain
The Atlantic
4.5 • 1.2K Ratings
🗓️ 13 February 2026
⏱️ 41 minutes
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| 0:58.2 | This ship has like well and truly sailed. |
| 1:00.9 | It is totally whack to be able to train the algorithm on artists' work. |
| 1:06.1 | Totally whack. |
| 1:07.1 | Like totally cooked. |
| 1:12.3 | I'm Charlie Wurzel, a staff writer at The Atlantic, and this is Galaxy Brain, a show where today we're going to talk about music. |
| 1:19.5 | Making it, the future of it, and the ways the technology has complicated that future quite a bit. |
| 1:25.1 | Throughout the last decade, I've been fortunate enough to meet and interview |
| 1:28.1 | a bunch of musicians across a bunch of genres and levels of fame. And inevitably, the conversation |
| 1:33.8 | always shifts towards streaming. Now, you're probably familiar with the basic gripes. Streaming has atomized |
| 1:39.8 | a musician's catalog, prioritizing tracks over albums. The economics stink for the artists. |
| 1:46.0 | Musicians have to get big, like really almost Taylor Swift big, to make money from the streamers. |
| 1:52.1 | And in order to get big, musicians now need to play the platform game, the same one that creators |
| 1:56.9 | and average Joe's posting anywhere online have to play. Getting put on Spotify or another streamers curated playlist is crucial, |
... |
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