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The New Yorker Radio Hour

Keith Knight of “Woke,” and Jia Tolentino Picks Three

The New Yorker Radio Hour

WNYC Studios and The New Yorker

News, Wnyc, David, Arts, Yorker, Society & Culture, Storytelling, Books, New, Remnick, Politics

4.26.2K Ratings

🗓️ 29 September 2020

⏱️ 22 minutes

🧾️ Download transcript

Summary

“Woke,” a new comedy on Hulu, is inspired by the life of its creator, Keith Knight. The show, which blends reality and animated fantasy, follows Keef, a Black cartoonist who is on the cusp of mainstream success when an ugly incident with the police changes his life. Suddenly, Keef is learning about racism from a chatty trash can and other talking cartoon objects, and he experiences a belated political awakening. Knight describes his work to his fellow-cartoonist Emily Flake as “accessible yet subversive.” “Making people laugh and then punching them in the face with a serious issue is the way to work,” he says. Plus, at home with a newborn, the staff writer Jia Tolentino recommends a book, a record, and a reality show that have been entertaining her lately.

Transcript

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0:00.0

This is The New Yorker Radio Hour, a co-production of WNYC Studios and The New Yorker.

0:08.6

This is the New Yorker Radio Hour. I'm David Remnick.

0:12.1

The TV series called Woke has an unusual premise.

0:15.9

It's about a cartoonist who experiences a racial and political awakening after an episode of police violence.

0:23.3

Don't move.

0:24.1

Don't move.

0:24.5

What's your hands up?

0:26.7

Six-foot-tall black male?

0:28.0

What's in the bag?

0:29.2

He's got a weapon.

0:29.8

No, no, no, no.

0:30.2

Just the stable.

0:30.9

No, no, no, because you got the wrong guy.

0:36.9

Lamorne Morris plays Keith, who's based on the show's creator Keith Knight.

0:42.2

Knight draws the Kay Chronicles and other syndicated strips,

0:45.4

and he's contributed to the New Yorker as well.

0:48.0

Now, the world of cartooning, as you might imagine, is pretty small.

0:52.6

So Emily Flake, a fellow cartoonist, wanted to talk with Keith Knight

0:55.9

about what it means to break into television. I haven't seen you since Moca, maybe last year or the

1:05.4

year before. Remember comics festivals? I know. It's such a, and Mocha was actually the first time where I got the idea that I had accomplished

1:19.7

something with the show, which I had already shot the pilot.

1:24.2

And there were so many cartoonists that came up to me and said, I can't believe you actually

...

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