4.8 • 880 Ratings
🗓️ 3 January 2018
⏱️ 70 minutes
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0:00.0 | Hey Music Lover, it's time for Somme Tom Bona jamming to some yot rock |
0:07.9 | Gone old school with some beep up open for fun bingo 90 if you like your tunes more vibies, |
0:14.4 | playing can be exciting till you feel the need for dancing. |
0:18.3 | Here we go! |
0:19.3 | I'm for a drum and bass! |
0:21.3 | Oh, just 110 pounds! |
0:24.0 | Tom Bola! |
0:25.0 | Open for fun! |
0:27.0 | Terms apply 18 plus. |
0:29.0 | Please play safely. |
0:30.0 | Gheende Wiley was in his mid-20s when he found his signature style and he was afraid it wouldn't work. |
0:38.0 | And I still have memories of that period where I knew I was on to something, but I also had fears that no one would like it. |
0:47.0 | I had fears that I was moving so far outside of the Taste game that was being played by so many other artists and being |
0:54.8 | consumed by the public and so many what nothing else was looking like this my fear |
0:59.2 | that it was just it was too beautiful it was too decadent was too bombastic, and that it wouldn't be embraced. |
1:05.6 | He was then doing a residency at the Studio Museum of Harlem and the influx of Harlem into |
1:10.9 | his system. |
1:12.3 | After years studying painting in Yale's MFA program and at the San Francisco |
1:17.6 | Art Institute and years growing up in South Central LA, all of that primed him to create a style that has helped |
1:25.1 | him become one of the most successful visual artists of his generation. |
1:29.8 | Certainly the most commercially successful black artist since Jean-Michel Basquiat. |
1:35.4 | Kehenday style is a collision of old and new of the old masters and hip-hop aesthetics as if |
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