BBC Sounds, Music, Radio, podcasts.

BBC Radio One, mini-mix.

I'm delighted that he's here.

Finally, you said that when you walked in the studio.

K Motions is here, how are you, mate?

Yo, yo, yes.

Feels good to be back.

And with Danny the man himself.

You're here for the mini-mix.

Before we get into that,

let's talk about Red Line, paying homage homage into all you drum and bass DJs that like to wreck mixes all around the world. Talk to us about the concept of the album. I'm assuming that's what it's about. Yeah, essentially, it's all about loud, big, obnoxious music, club music. Do you know what I mean? you know red line the term when DJs like smash into the red on a mixer it's called redlining

I mean? You know, red line the term when DJs like smash into the red on a mixer, it's called redlining. Yeah, I mean, it's only seven tracks. I guess what I call it a mixtape, but you cover so many different sonics and so many different vibes. Who was responsible for you getting into the electronic music scene? Probably my brother and my mom. My mom recently went to the last Fred again show. What? Yeah, I got her tickets. She was like, I want to go. I'm like, oh my God, like, wait, let me see what I can do. Let me make some calls. So you come from a raving family then, and what do they make of all the success that you've been having and all the releases and albums and stuff? Well, my mom's like my my biggest supporter really like yeah she's probably listening now and my nan as well they're all

like from there from the beginning you know problems and stuff. Well, my mom's like my biggest supporter, really. Yeah. She's probably listening now.

And I'm my nana as well. They're all like, they're from the beginning, you know. Yeah. It's been a really supportive family and I grew up with such a love for music around me from my mom's side. And I'm so grateful for it because it's sort of made me who I am. Yeah. Yeah. It's crazy. You can hear it in the productions as well, especially the song element of what you release because, you know, it's not all just sort of like underground banging dark beats. You really try and create anthems, which you do. Let's talk of mini mix. So tell us about the mini mix. How fun was it? Tell us. Oh, my God, it was so much fun. My brain works like 100

miles an hour anyway. So for me to do this mini mix was just like, my brain was just like, yes,

this is exactly what it needs. This is the mix for me. Yeah, yeah, exactly. Do you find it challenging

or was it just like? Yeah, it was because in the mini mix, I'm basically, I'm starting 140 BPM, and I'm growing to 175. So it was a bit of a challenge to get it, but I feel like I've made it a real journey. I'm sensing the theme here. Oh, yeah. What is the theme? So as we was like moving through the BPM, starting slow and building off, I was like, we need to call this the BPM evolution. It makes complete sense. Let's get into it. KMotions and his BPM Evolution Minimix on Radio 1. BBC Radio 1. Mini Mix. 1-D0 got signed by breakfast. 1-00-0-1-0 sign by breakfast. 1-0-1-1-1-1-1-1-1-1. My girls left for his car stop gleaming

I don't want to hear about Netflix

I'm at Kmo set I'm beaming

I'm at Kmo set I'm beaming

I'm a came on set I'm beaming

I'm a came on to me

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