Junot Díaz — Radical Hope Is Our Best Weapon
On Being with Krista Tippett
On Being Studios
4.7 • 10.2K Ratings
🗓️ 14 September 2017
⏱️ 52 minutes
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| 0:00.0 | Before we start the podcast, I wonder if you've discovered the letter from |
| 0:04.0 | Loring Park, a weekly email bundle of goodness that lands in your inbox every Saturday morning. |
| 0:09.9 | We highlight what we're airing and writing and reading, along with news of upcoming events |
| 0:15.0 | and opportunities to be part of our wider conversations. To subscribe now, go to onbeing.org. |
| 0:30.0 | Most perplexing questions facing humankind. Who are we? Why are we here? And where are we going? |
| 0:36.6 | To learn more, please visit Templeton.org, the Templeton Foundation. Stay curious. |
| 0:43.2 | In the aftermath of America's cathartic 2016 election, the New Yorker collected a series of |
| 0:49.1 | 16 reflections by varied authors. The one that most riveted me was by the Pulitzer Prize winning |
| 0:55.2 | Dominican American author, Juno Diaz. His essay was titled, Radical Hope Is Our Best Weapon. |
| 1:02.5 | Diaz's hope is fiercely reality-based, a product of centuries lodged in his body |
| 1:08.7 | of African-Caribbean suffering, survival, and genius. I can truly say that no conversation I've |
| 1:15.3 | had in all my years has felt more searing, important, and eloquent than this one. |
| 1:20.8 | I'm a child of blackness. Blackness was not meant to survive, and we have survived. |
| 1:27.7 | We have thrived, and we've given this world more genius than we have ever received. |
| 1:34.4 | I'm Christa Tiffett, and this is onbeing. |
| 1:41.6 | Juno Diaz is a professor of writing at MIT, and he's the fiction editor of Boston Review. |
| 1:47.5 | His books include, Drown, The Brief, Wondrous Life of Oscar Wow, and this is how you lose her. |
| 1:56.0 | Your family came from the Dominican Republic when you were six years old, |
| 2:00.2 | and that place and the New Jersey-Ulanded Inter both hugely formative, and that'll come |
| 2:07.6 | through all the way through your writing and your work. I always ask this question when I start |
| 2:10.6 | my interviews, whoever I'm talking with, about the religious or spiritual background of their |
| 2:16.3 | childhood. I'm really curious. I've never heard you speak overtly about this, and I do understand |
... |
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