You're in the Paracast, the gold standard of paranormal radio.

And now, here's Gene Steinberg.

Well, I don't know when we bring on our guests later on the show,

whether we'll be talking that much about SlideGate.

I think right now it's like between several forum threads or topics on the Paracast forums at Forum. Theparacast.com we've got, well, one has 1,300 messages, hundreds of others, possibly several thousand messages still talking about the same old subject, Slidegate.

Roswell Slides.

Well, I have an announcement.

Let me hear the announcement.

I visited the Monizuma's Castle, which is almost within eyesight of my house.

And I talked to one of the rangers there who printed up a press release for me

that has to do with this, what we think, is this particular specimen of a two-year-old child, very desicated, as we know.

If the information that I'm getting is correct, this particular artifact, if you want to call it that or body,

was on display here in Camp Verdi at a small museum and was, I guess, appropriated by Native Americans.

I'm not sure there's still some question in my mind of who actually has it right now,

but I have a direct line to the spokesperson who knows this, who is also Native American,

and I think it's a curator of the small museum

here at Montezuma's Castle. And my friend Clifford Mahoudi, who's, you know, full-blood Zuni,

for many years did the Washington, D.C. Two-step, and is very, very well versed in the laws pertaining to the rights of Native Americans when it comes to the remains of ancient Native Americans.

And he seems to think that he might be in a position to gain access to this particular mummy and do a cursory examination of it before it is buried, which is imminent.

They're going to be interning this body very, very soon.

It's still, it's not buried yet, from what I understand.

And Clifford seems to be confident that he will be able to do some sort of side door effort to gain access to this body and put this whole thing to rest once and for all so that we have, you know, with no shadow

...