3.4 β’ 683 Ratings
ποΈ 25 July 2006
β±οΈ 120 minutes
ποΈ Recording | iTunes | RSS
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0:00.0 | So, you've entered the Paracast with your host, Gene Steinberg and David |
0:20.0 | Beetti. So riddle me this, David, and I've known with your host Jane Steinberg and David Vieting. |
0:29.1 | So riddle me this, David, and I've known you for quite a while, and we've been doing the show now for about five months or so. |
0:35.8 | How does one become the self-proclaimed Photoshop profit of Earth? I need to know. |
0:40.1 | Here's the yardstick by which Photoshop prophecy is measured. |
0:44.7 | If you can close your eyes and without the software in front of Eugene, |
0:48.9 | visualize the entire menu and dialogue structure of the application. |
0:53.4 | And if you can do a Photoshop demo where you don't have the program running because the computer they were supposed to get for you doesn't work. |
0:56.4 | So you now have to take Photoshop questions from an audience who's come prepared with them and answer those questions by literally closing your eyes, |
1:04.8 | visualizing the program, visualizing their problem, and dictating to them from memory. |
1:10.6 | Exactly what steps in Photoshop they have to |
1:13.1 | take to accomplish what they're doing, that gene would make you the Photoshop profit of the Earth, |
1:18.2 | which, by the way, is indeed what I am, given that years ago, I did exactly that gene. I literally |
1:24.8 | did a Photoshop demo without Photoshop. There were people in the audience |
1:28.6 | just gasping, not knowing how I was doing this. And I'll qualify this, Gene. This was about |
1:35.0 | seven or eight years ago. I don't know that I could do that with today's version of Photoshop. |
1:40.2 | It's become so complex, and there are so many submenus in that thing and sub-dialogs. |
1:45.2 | I don't know that I could do that anymore, but I certainly could do it back in the days of |
1:48.7 | Photoshop 5. |
1:49.8 | Okay. |
1:50.4 | How did you get this title, though? |
1:52.3 | I gave it to myself, man. |
... |
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