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Desert Island Discs

Juliet Stevenson

Desert Island Discs

BBC

Music, Personal Journals, Society & Culture, Music Commentary

4.314.3K Ratings

🗓️ 4 October 1992

⏱️ 38 minutes

🧾️ Download transcript

Summary

Sue Lawley's castaway is actress Juliet Stevenson.

Favourite track: Sonata No 3 in G Minor by Johann Sebastian Bach Book: Complete Works by W B Yeats Luxury: Masaccio Frescos in the Brancacci Chapel

Transcript

Click on a timestamp to play from that location

0:00.0

Hello, I'm Kirstie Young and this is a podcast from the Desert Island Discs archive

0:04.9

for rights reasons we've had to shorten the music. The program was originally broadcast

0:09.8

in 1992 and the presenter was Sue Lolley.

0:30.3

My cast away this week is an actress. At the age of nine, she was asked to recite a sonnet

0:34.8

in front of her school audience. She felt she says as though a light had been switched on.

0:40.0

Twenty-six years later, she's now thirty-five, the light is burning at full power.

0:44.8

She's one of the leading actresses of her generation with a stint at the RSC behind her,

0:50.1

some major roles including Hedgarbler at the National and two other performances which have

0:54.8

brought her greater claim. One is the lead in the film Truly Madly deeply, the other the part of

1:00.4

Paulina in the play Death and the Maiden. She won best actress awards for both. She is Juliet

1:06.3

Stevenson. Juliet, what was that sonnet that turned on the light all those years ago?

1:11.2

What actually happened was that I was, they were deciding who should read what at this event,

1:15.8

some sort of speech day and I think I was being encouraged to read something from Winnie the Poo

1:20.0

or something more appropriate for a nine-year-old but I found this piece of paper picked it up and

1:23.6

I read this poem and it had this last line of every verse which was if I could tell you I would let

1:29.4

you know that was the line it's the only thing I remember and it was it was a poem of such sort

1:34.8

of sadness and sweetness and great maturity I suppose and great passion and I persuaded them to

1:40.5

let me do it. I think that that's all it's always important later on in life when things get so

1:46.7

confused to go back to your very early instincts and that was an early instinct I had born when I

1:51.2

first read that poem that although although I hadn't experienced it although I didn't know

1:56.4

what was involved what the sort of the extent and range of the feelings involved that I could

2:01.2

communicate it and could make other people feel that they had. So was it a case of then from that

...

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