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The Great Women Artists

Julie Curtiss

The Great Women Artists

Katy Hessel

Arts

4.8944 Ratings

🗓️ 7 July 2020

⏱️ 44 minutes

🧾️ Download transcript

Summary

In episode 32 of The Great Women Artists Podcast, Katy Hessel interviews the phenomenal, Brooklyn-based artist, JULIE CURTISS!! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] One of the MOST exciting artists working today, Julie is known for her bold, graphic, highly stylised and Neo-Surrealist works of faceless and fragmented women, and food. Often swept up in an eerily dreamscape, her often cropped works allow us as viewers to interpret a world beyond what we are looking at.  Working in a myriad of mediums including painting, sculpture, and gouache on paper, Julie focuses on the relationship between nature and culture, as well as exposing and reworking female archetypes through motifs of flowing hair, long nails, and high heels.  Speaking about her work she has said: "In my images, I enjoy the complementarity of humour and darkness, the uncanny and the mundane, grotesque shapes and vivid colours." Born and raised in Paris, Curtiss studied at l'Ėcole des Beaux-Arts before moving first to Japan and then to New York. She is known for referencing 18th and 19th century French painting, as well as fusing together the pop-like imagery the Chicago Imagists, reminiscent of comic books and advertising.  But in a similar manner to the Post-Impressionist painters, she mines her subjects from contemporary, everyday life, representing and exposing its curious, small details in cropped and ambiguous compositions that are erotically charged, cinematic and dreamlike in feel.  I LOVED this HIGHLY fascinating conversation with Julie. In this episode we speak about her INCREDIBLE paintings, as well as her introduction to art through posters, her upbringing in France vs life in America, advertising, Jeff Koons, obsession with technologies entering our life, darkness in cinema, FOOD, the post-war era of the housewife, the constant upkeep of appearances for women, and MANY MORE!! Further reading: https://whitecube.com/artists/artist/julie_curtiss https://antonkerngallery.com/artists/julie_curtiss ENJOY!! WORKS DISCUSSED IN THIS EPISODE Lateral Embrace  Orlando  Double Selfie MoMA Guests Further reading:  http://www.houldsworth.co.uk/exhibition-thumbnails/little-is-enough-for-those-in-love-1579801608/1 https://www.goodman-gallery.com/artists/cassi-namoda This episode is sponsored by Alighieri  https://alighieri.co.uk/ @alighieri_jewellery Use the code: TGWA for 10% off!  Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Amber Miller (@amber_m.iller) Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/

Transcript

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0:00.0

Hello and welcome to the Great Woman Artis podcast. I hope you are all doing well.

0:07.0

I am really delighted that this episode is sponsored by one of my favourite jewellery brands, Alighieri.

0:14.0

During this difficult time, Alighieri will be donating 10% of all online sales to refuge, the country's largest provider of support to women

0:23.9

and children escaping domestic violence. Alighieri is also offering 10% off for Great

0:30.6

Women Artist listeners with the code TGWA at checkout. See www. www.

0:38.3

a laigieri.com for more.

0:40.5

Here are a few words from their founder,

0:42.7

Rosh Matani,

0:43.6

and I hope you enjoy this episode.

0:47.8

What are the roots that clutch?

0:49.7

What branches grow out of this stony rubbish?

0:52.6

Son of man, you cannot say or guess,

0:55.0

for you know only a heap of broken images,

0:57.0

where the sun beats, and the dead tree gives no shelter,

1:01.0

the cricket no relief, and the dry stone no sound of water.

1:05.0

T.S. Eliot's Wasteland is so inspired by Dante Alighieri's Inferno,

1:10.0

and I chose to create the Love in the Wasteland

1:12.5

Collection because I was fascinated by the way in which Dante's words from the 1300s still

1:18.5

continue to inspire writers and artists up until the present day. Whilst both T.S. Eliot and Dante

1:25.7

depict this infernal land lacking in hope, I wanted to create

1:30.6

the Love in the Wasteland Collection to explore the fact that it's our job to find pockets

1:35.0

of love in the middle of any wasteland in which we find ourselves.

...

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