4.5 • 606 Ratings
🗓️ 11 September 2014
⏱️ 28 minutes
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Our discussion of this anthology, written by incarcerated men and women, divides between the shocking realism of the stories and Oates’ experience as editor of the collection.
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0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
0:03.9 | Boots! |
0:09.0 | Where would we be without boos? |
0:12.8 | Where would we be without good? |
0:15.0 | No, Timberd. |
0:16.6 | It's a rhetorical question, sir. |
0:19.9 | But where would we need without books? |
0:23.7 | From KCRW and KCRW.com, I'm Michael Silverblatt, and this is Bookworm. |
0:30.0 | I'm very happy to have, as my guest today, Joyce Carol Oates, a longtime friend and atime friend of Bookworm, and she has edited a book |
0:41.5 | called Prison Noir. It's part of the series from Akashik. There are more than 60 volumes now. |
0:49.8 | There's New Jersey Noir, which she also edited. |
0:53.8 | Noir is eating the world. |
0:56.8 | I was once very defensive about noir because I thought, well, I wanted people to be reading serious fiction, |
1:06.5 | but I look and I see Boston Noir and Bronx Noir and Brooklyn Noir and every noir imaginable |
1:16.0 | Baghdad Noir, Bogota Noir, Jerusalem Noir, extraordinary. |
1:24.6 | So let's begin. |
1:25.7 | You have a very particular definition of noir that I think is brilliant and cuts right through the red tape. |
1:35.9 | Noir is about betrayal. |
1:39.7 | Yes, I think that's so true, and it's certainly borne out with most of the stories in prison noir. |
1:46.0 | It's especially borne out in prison noir because betrayal has often put these narrators where they are. |
1:57.0 | Yes, I was, when I assembled the stories, I had read, quote, very many stories, and what |
2:04.4 | seemed to link them was a sense of profound shock, almost an ontological or metaphysical shock, |
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