Joseph O’Neill Reads “The Sinking of The Houston”
The New Yorker: The Writer's Voice - New Fiction from The New Yorker
The New Yorker
4.3 • 2.3K Ratings
🗓️ 24 October 2017
⏱️ 30 minutes
🧾️ Download transcript
Summary
Joseph O’Neill reads his story from the October 30, 2017, issue of the magazine. O’Neill has published four novels, including “Netherland,” which won the PEN/Faulkner award in 2009, and “The Dog” which came out in 2014.
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| 0:00.0 | This is the writer's voice, new fiction from The New Yorker. |
| 0:05.9 | I'm Deppertrisman, fiction editor at The New Yorker. |
| 0:09.2 | On this episode of The Writer's Voice, we'll hear Joseph O'Neill read his story, The Sinking of the Houston, from the October 30th, 2017 issue of the magazine. |
| 0:18.5 | O'Neill has published four novels, including Netherland, which won the |
| 0:21.5 | Penn-Falcner Award for Fiction in 2009, and the Dog, which came out in 2014. |
| 0:27.3 | Now here's Joseph O'Neill. |
| 0:31.0 | The Sinking of the Houston |
| 0:32.9 | When I became a parent of young children, I also became a purposeful and relentless opportunist |
| 0:42.3 | of sleep. |
| 0:43.3 | In fact, sleep functioned as that period's subtle denominator. |
| 0:48.3 | I found myself capable of taking a nap just about anywhere, even when standing in a subway |
| 0:53.8 | car or riding an escalator. |
| 0:56.0 | I wasn't the only one. |
| 0:58.0 | Out and about, I spotted drowsy or dozing people everywhere, |
| 1:03.0 | and I realized that a kind of mechanized mass somnambulism is an essential component of modern life, |
| 1:10.0 | and I gained a better understanding of the siesta and the snooze and the death wish. |
| 1:17.9 | Then the three boys grew big. |
| 1:21.2 | Grew from toddling alarmists into wayward urban duffuses, |
| 1:26.2 | neurologically unequipped to perceive the risks incidental to their teenage lives. |
| 1:32.1 | Several nights a week, I lie awake in bed until the front door has sighed shut behind every last one of them. |
| 1:39.8 | Even then, even once they're all safely home, there are disquiting goings-on. |
| 1:45.6 | Objects are put in motion to frightening sonic effect. |
... |
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