Alright everybody, welcome to the musical splitting podcast. I am your host and apparently

closet enthusiast, Cavitarian. And I am Donnie Osman-lover 1987, Angelina

Mann. Oh, 87, that's a very specific year. Well, it's the year I was born. Oh, right,

right. Yeah. Just from the womb, you knew that you loved this man. I just knew. I came

out going, you know, what I like is just the most clean cut American hairless man I've

ever seen. Man, hairless can't relate to that except for the time I had. Anyway, as you

guessed, the reason I said closet enthusiasts is because I'm filming in the closet today

because there's a lot of construction in front of our house once again, which may or may

not come into the recording, hopefully not, but it sounds like it's pretty good. Anyway,

today, we are here to talk about a man named Joseph and his amazing Technicolor Dream

Code for which you're very excited to talk about. I have, so there's so much about this

show that is one very interesting to me just in terms of, I guess, the history of Android

Webber who composed it in terms of where it sits in musical theater in general. And also,

I just have so much personal trauma. Oh, my God. Prama, tell me who hurt you, did Joseph.

Oh, I mean, I have a long list of people who've hurt me, but the show is pretty high up towards

the top. But it also has like a very like, weirdly nostalgic place in my heart. So it's a lot

of conflicting feelings. Like, this is my personal, like, I don't know, like my personal

struggle that I carry with me is just like summing up my feelings about Joseph and the amazing

Technicolor Dream Code. So I'm very excited to talk about it today. All right. That's good.

Yeah. My only, my only understanding of Joseph and the Technicolor Dream Code, I think

was, didn't Kramer wear some crazy, like, jacket and one of the sign felled episodes?

Uh, that sounds like something Kramer would do. Yeah. There was one really thought he was

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