Summary
While writing Palladio (Doubleday) another of his complex novels of ideas, Jonathan Dee discovered his gift for creating complex human characters-and altered the course of his writing career.
Transcript
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| 0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
| 0:04.3 | You are a human animal. |
| 0:11.0 | You are a very special breed, |
| 0:15.0 | or you are the only animal. |
| 0:19.0 | Who can think, who can reason, who can read. |
| 0:21.6 | From KCRW Santa Monica, I'm Michael Silverblatt, and this is Bookworm. |
| 0:25.6 | Today my guest is Jonathan D., the author most recently of Palladio, which has been published by Doubleday. |
| 0:32.6 | He's the author as well of St. Famous, the Liberty Campaign, and The Lover of History. |
| 0:40.3 | Now, when I was reading Palladio, I was kind of amazed. It was the first book of D's that I had read, |
| 0:47.3 | and the interaction between character, structure, and idea seemed to me to be unusual and profound and very moving. |
| 0:59.3 | And I wanted in particular to begin to talk about these characters |
| 1:04.1 | because they seem, in a way, to be symptoms, victims of the culture that this book is criticizing. |
| 1:16.6 | They are people who in different ways radically don't connect and radically disconnect. |
| 1:26.6 | And I wondered if you find this kind of person typical nowadays. |
| 1:34.0 | Well, I don't know if I'd say symptomatic, more than typical. I don't know that I would |
| 1:39.7 | represent them as typical, but they do, I guess I'm drawn toward characters that in whom that |
| 1:47.4 | conflict between public and private speech is played out. Certainly the case here with John |
| 1:54.0 | and Molly, that they, in very different ways, they each become, internally know, internally, they're a kind of battlefield |
| 2:01.9 | on which a war between what I think of us different kinds of speech, you could say different |
| 2:06.9 | kinds of thinking or different kinds of interaction with the culture are played out. |
| 2:13.1 | Molly becomes sexualized so early in her teen years that she becomes enormously intuitive |
| 2:23.3 | about what men want from her, having nothing to do with the things they say, but she becomes |
... |
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