4.2 • 824 Ratings
🗓️ 15 November 2020
⏱️ 28 minutes
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Chris Power talks to Jonathan Coe about bringing Billy Wilder to life in his new novel.
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0:45.4 | Hello, we're filled with revolutionary spirit today, |
0:49.2 | inspired by the Haitian slave-turned-liberator Tucson Louverture and a feminist overturning of some of the most famous fairy tales in the land. |
0:54.1 | But first, we turn to that |
0:55.5 | modern-day site of enchantment, the silver screen. Here for Dor. Here is the script that I mentioned |
1:02.4 | to you this morning. I'll be waiting to hear from you. Mr. Wilder and me, Jonathan Coe's 14th novel, |
1:10.0 | plunges us into the story of a young woman from Athens, Callista, |
1:13.4 | who following a chance meeting in Los Angeles with legendary film director Billy Wilder |
1:17.5 | and his writing partner, Is Diamond, finds herself employed as an interpreter on the shoot of Wilder's |
1:23.1 | 1978 film, Fedora. Many of Coe's books reference or borrow from film in some way, from |
1:29.1 | what a carve-up to the terrible privacy of Maxwell Sim and Expo 58. Clearly a cinephile, as well as a prolific |
1:35.7 | novelist, Mr Wilder and me is perhaps his most direct fusion of both forms. And I'm delighted to |
1:41.8 | say that Jonathan Coe, fresh from his trailer, joins me now in the |
1:44.7 | studio. Jonathan, welcome to Open Book. Thank you very much. Nice to be here. Did you decide you |
1:50.4 | wanted to write about Wilder at the end of his career and then choose the appropriate film? Or did |
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