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Martha Debayle

Jon Batiste is in da house! - miércoles 23 de julio del 2025

Martha Debayle

Martha Debayle

Self-improvement, Unknown, 512789, Education

4.8892 Ratings

🗓️ 23 July 2025

⏱️ 25 minutes

🧾️ Download transcript

Summary

El ganador del Óscar nos viene a contar todo sobre su trayectoria y lo nuevo que trae en la música.

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Transcript

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0:00.0

Hola, soy Mario Orguino, entender al dinero es mucho más fácil de lo que crees, pero parece que hacer, cuidarlo, lograr que cresta y tenerlo es el secreto de los cuantos. Nada más falso, por eso, en esculos business, tú serás el amo y señor de la fortuna. Aprenderás que es el ahorro cómo administrar una tarjeta de crédito, que es una deuda y lo que necesitas hacer para tener tu libertad financiera en tu vida.

0:26.0

Buenas suerte. Hoy, a cuenta bien, imagínense que alegría para todos ustedes que son súper melómanos que aman la música, que tenemos hoy aquí a uno de los compositores y músicos más importantes de la historia de la música contemporánea nominado a 22 Grammys ganador de siete Grammys 5 en una sola noche incluida la categoría álbum del la por We Are, es John Batist que aparte de ser un extraordinario músico cantante compositor pianista que seguramente muchos ustedes conocen, está de regreso con su álbum si no me equivoco número 7 que se llama Big Money que va a estar disponible el 22 de agosto a nivel mundial y para todos

1:26.7

los que nos escuchan en Estados Unidos empieza su gira el 27 de agosto en Canza por si alguien

1:35.3

anda por allá y lo tenemos en vivo y a todo color en el estudio de Dolorario. I'm great. How are you doing? It's good to see you. It's great to see you too. I mean, we've been your fans for a long, long time. I was just telling everybody that you've been nominated for 22 Grammys and you won five, including the album of the year for We Are and that you're launching. Big money. August 22nd and since this show is heard in the United States, I know that you're starting a tour on August 27th in

2:27.4

Kansas. So that's everything I said right now that I opened the show. Yeah, we done a lot of living. Oh yeah. Oh yeah. I love you. Okay. Talk to me about big big money. Big money is is and it's capitalism and it's talking about the inner child. It's talking about everything that hides in the loathes of the world today and it's doing it in a way where we can dance and we can sing along with the songs that are very, very organic album, real music, authentic topics, authentic situations. And it's just very much a song to the album and it's like one take. So you get that essence. We made the album in less than two weeks. It was just very much a capture of a moment. And I think that something very interesting is that I was reading that you literally were in the same studio

3:26.6

with all the musicians breathing the same air, going through the same energy and that is a very organic way of producing music, not necessarily how all music is produced and I imagine that just that has a special magic.

3:23.5

Yes, it's like a sense of going back to the roots. It's the humanities, our communal gatherings, like tribes. It feels like something that when you put an album like that into popular culture, and then you go on the road and you perform it live, and it just becomes an extension of how we create community. It's a powerful thing. I'm excited to see everybody. I gotta come to- en el mundo y en el mundo que performas en alive y eso es una extensión de cómo creemos la comunidad.

4:05.5

Es una cosa más powerful.

4:06.8

Estoy emocionado a ver todos.

4:09.3

Yo he tenido que ir a México.

4:11.0

Yo realmente tengo que ir a México con un gran dinero.

4:13.7

Me siento en mi casa.

4:14.9

¡Oh, sí, sí!

4:16.5

Así que me voy a decir todo en Spanish.

4:18.5

A ver, un gran dinero es nuevo.

4:20.0

Es decir, es un álbum que habla de capitalismo, pero habla de la infancia, pero habla de las raíces, que es un disco muy orgánico y algo muy interesante es que este disco dice él que lograba en dos semanas literal y a diferencia de cómo se hacen muchas muchas piezas musicales en donde grave el cantante por un lado los músicos por el otro, él se metió al estudio con toda la banda

4:47.0

en estas dos semanas y que fue un proceso como muy orgánico, muy real, lo cual automáticamente se va a transmitir esa misma energía durante los conciertos que va a ser en Estados Unidos, que es donde empieza la gira y dice que él siente en su corazón que sin duda alguna tiene que venir con este nuevo disco Big Bunny a México.

4:45.7

¿Habéis ever been to Mexico, John? Yes, I have. I want to come back and I want to perform there and I have friends there. I have all types of artists and friends and family that are in and out of Mexico. I did a collaboration Natalia La Focada. ¡Of course! Así que la colaboración en la Cánaigía de Colombia y lo que queremos hacer es que en México hay muchas cosas que es por lo que me hagan venir a México. Sí, hay que venir. Es decir, que tiene que ver en México que ha estado en México, que tiene amigos, artistas. De hecho, hizo una colaboración en el carne guijal con Natalia La Forcade, para que la busque seguramente está Spotify y tendrá que venir. Ahora, vamos a ver más. Sí. Yo me reto que es algo que me ha encontrado tan interesante, porque en el show, que incluso si estamos en un show, we do play music all the time. And especially on Fridays, like three hours long, we've done the history of house music. We've done the history of disco. We've done the history of rock and roll. And I read you said something very interesting that I think that this could be a mini-class for everybody about rock and roll music. You know, many people think that rock and roll was invented, I don't know, by the Beatles or Elvis Presley. And I think you have an amazing story to tell of the actual origin of rock and roll, which is very well imprinted in big money. Yes, this album is very much a new Americana by going back into the history and looking at all the early farmers and the sharecroppers and the people who played the band-jows and the fiddles on the porch and the musicians in the South and the black American tradition, Chuck Berry, Little Richard, Fats Domino, all of the early chess records, all these things, and seeing how that is actually the beginning of rock and roll. And that is also the gospel and the spirituals in the soul, is also Americana, and it's all one thing. It's all under one umbrella. And now there's new forms of music that we express that are new Americana. And if you take the old and you blend it what was happening today, that's how we can create the future. Yeah. And I know that you know, Paul McCartney. I mean, you played with the stones and

7:49.8

but actually it's the black sharecroppers and the farmers who actually invented rock and roll.

7:59.1

It's amazing how our society is such a synthesis of things, but in history we leave that out. A lot of times we learn about things from the perspective of what is marketed to us and what is set as the historical precedent. But the truth is really what I love about being a musician and artist.

8:26.7

I can put the truth in the ancestors in their rightful place through the music that I'm making. I can keep their voices alive. You said it beautifully. Now let me try to say it as beautiful in Spanish. I tell you something very interesting

8:22.4

that I told John in an interview

...

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