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Story Grid Writing Podcast

John Wick Analysis: Part 4 - What Writers Can Learn and Obligatory Moments

Story Grid Writing Podcast

Shawn Coyne

Books, Language Learning, Authors, Education, Story, Publishing, Arts, Creativity, Writing, Fiction Writing

4.8767 Ratings

🗓️ 6 April 2023

⏱️ 56 minutes

🧾️ Download transcript

Summary

Access the full Story Grid analysis of John Wick at https://storygrid.com/wick. This is the final in a four part series analyzing the movie John Wick using the Story Grid methodology. This 2014 movie, written by Derek Kolstad, is a genre leading action movie. Story Grid Certified Editor Rachel Arsenault (https://www.rachel-arsenault.com) and Tim Grahl start by looking at the Story Grid Five Leaf Genre Clover before diving into the quadrants and controlling idea.

Transcript

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0:00.0

We're about to dive into this final episode analyzing the movie John Wick.

0:05.0

We're going to be looking at the genre obligatory moments, the character archetypes, and some of our favorite storytelling moments in John Wick.

0:14.0

This is the Story Grid analysis of John Wick, and I am Tim Graal. I'm the CEO of Storygrid and a writer trying to figure out

0:21.5

how to tell a story that works. Also with me is Rachel Arsenal. She's a Storygrid

0:26.3

certified editor, and she's on board to make sure I don't give the wrong answers. If you want

0:32.5

to download our entire analysis of John Wick right now, You can go to storygrid.com slash

0:38.2

wick. Otherwise, I'm excited to wrap up this analysis of John Wick. We hope you've enjoyed it.

0:44.3

If you have a movie, you'd like us to take a look at in future episodes. You can do that by

0:48.7

sending me an email at Tim at storygrid.com. Otherwise, let's go ahead and jump in to John Wick. All right, so let's move

0:56.8

on to the obligatory moments. So what, um, when we talk about obligatory moments in genres, right?

1:04.6

So this is, each genre has its own obligatory moments. What are, what is, what are genre

1:09.0

obligatory moments? Yeah, um, obligatory moments, they are what is what are genre obligatory moments? Yeah um obligatory moments.

1:13.5

They're they're similar to conventions in that, um, they're helping us define audience expectations

1:19.3

and audience expectations for obligatory moments as it pertains to the development of the story

1:25.2

and the things that help, um, sort of guide the movements of the story and the things that help sort of guide the movements of

1:29.0

the story. And you have so much, like so much freedom to create, but it adds some level of

1:34.8

constraints, right? There's sort of that freedom within constraint. That's actually a really

1:38.1

great thing about obligatory moments because it helps you detail what audiences are expecting to see because it's a part of the

1:45.8

genre. And then you can think about how to meet those expectations in new and exciting way.

1:53.4

So those obligatory moments kind of, again, help us map out key moments that help us develop the

1:59.2

actual progression of the story in in terms of physical events

2:03.6

and the things that we want to see sort of unfold on the page in the context of the story.

...

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