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0:00.0 | You are a human animal. You are a very special breed, or you are the only animal, who can think, who can reason, who can read. |
0:18.2 | Good afternoon and welcome to Bookworm. I'm Michael Silverblatt. |
0:21.6 | I'm in an unusual situation this afternoon. |
0:24.6 | This is the first time that I've taped this show outside of the studio. |
0:28.8 | I'm in Santa Barbara talking to John Sanford. |
0:32.5 | John Sanford is a new discovery for me, but he is 89 years old and has written more than 20 books, |
0:42.3 | and I'm embarrassed to come upon his work so late. Many times when you meet people who tell you |
0:51.3 | that they know of the work of a great neglected writer, you often find |
0:58.3 | that the neglect was justified. The affection may be real. But in this particular case, I read |
1:06.7 | John Samford with increasing astonishment and enthusiasm because he seems to be a writer |
1:15.1 | who has both invented an absolutely astonishing style, who has a style that means something. It's not an |
1:27.0 | empty style or a merely elegant style. |
1:30.3 | And his work is, in many ways, |
1:34.3 | a travelogue or pageant of the history of America |
1:41.3 | through which he has lived and through which he has thought. The statement, the personal, |
1:49.1 | is the political, might have been invented for John Sanford, whose five-volume autobiography from |
1:57.7 | Black Sparrow is punctuated by episodes from American history that he wrote about originally |
2:05.8 | in four volumes, a more goodly country view from the wilderness to feed their hopes and the winters |
2:13.6 | of that country. Now, John, those titles all come from William Bradford. Could you give |
2:21.6 | us that quotation to begin with? The quotations from which the four titles were taken is this. |
2:31.3 | They all come from one page and from one paragraph. The season, it was winter, |
2:36.4 | and they that know the winters of that country know them to be sharp and violent, |
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