Summary
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| 0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
| 0:07.3 | You are a human animal. |
| 0:11.5 | You are a very special breed. |
| 0:15.3 | Or you are the only animal. |
| 0:18.7 | Who can think, who can reason, who can read. |
| 0:21.6 | From KCRW, Santa Monica, I'm Michael Sulfa Blatt, and this is Bookworm. |
| 0:26.6 | Today I'm happy to have as my guest, John Kay, the author most recently of the Dead |
| 0:32.6 | Circus, published by Atlantic Monthly Press, recently out in paperback, |
| 0:38.4 | the author as well of a previous novel, Stars Screaming, |
| 0:42.6 | also available in paper from the same publisher. |
| 0:45.6 | Now, the books have almost by necessity a certain similarity to thrillers, because they're set in Los Angeles, a place in |
| 0:59.0 | which it seems almost impossible to narrate events without the presence of at least |
| 1:06.0 | some kind of usually retired policemen or private eye. But here you get the feeling that this is |
| 1:14.6 | a convention being used in order to expose certain truths about the city. Can we begin there? |
| 1:22.6 | Let's talk about Los Angeles? |
| 1:32.9 | Well, you know, I grew up here, and I grew up in Los Angeles. |
| 1:42.0 | And I think when you grow up in L.A. as far as other than coming from a different city to live here, There's a different way you look at Los Angeles. |
| 1:45.9 | And part of what drove me to write these books was that I wanted to explore the dream scape |
| 1:54.6 | that's here, that sort of, the way to describe it is that my father used to have a store |
| 2:03.2 | on Hollywood and Vine, and I would take the bus down there to meet him, and I would look |
| 2:07.7 | up in the mountains, and I would see like these beautiful houses, and then I would look in the |
| 2:12.5 | street, and I would see these people that were like derelicts, and it was just kind of |
... |
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