John Eliot Gardiner
Desert Island Discs
BBC
4.3 • 14.3K Ratings
🗓️ 22 November 1992
⏱️ 38 minutes
🧾️ Download transcript
Summary
Sue Lawley's castaway is conductor John Eliot Gardiner.
Favourite track: Peter's Denial (St. Matthew Passion) by Johann Sebastian Bach Book: Memoirs by Hector Berlioz Luxury: Sancerre
Transcript
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| 0:00.0 | Hello, I'm Kirstie Young and this is a podcast from the Desert Island Discs archive |
| 0:04.9 | for rights reasons we've had to shorten the music. The program was originally broadcast |
| 0:09.8 | in 1992 and the presenter was Sue Lawley. |
| 0:30.9 | My cast away this week is a conductor. He's combined his knowledge of history with his love of |
| 0:36.0 | music to help pioneer a new approach to the work of the early great composers. While he was still |
| 0:41.6 | at Cambridge, he formed the Monteverdi choir and at the age of 25 he became the youngest person ever |
| 0:47.2 | to conduct a prom concert. He's famous for his performances and recordings using authentic |
| 0:53.4 | instruments through which he tries to bring a new excitement and vitality to musical works, |
| 0:58.6 | but he's not just an early music buff. His broad tastes have brought him important positions in |
| 1:03.6 | the world of music and many accolades for his recordings. He's the only conductor to have |
| 1:07.8 | equaled Herbert von Karian by winning three gramophone awards. He is John Elliott Gardner. |
| 1:14.0 | And on top of all that, John, you're a dorset farmer now which gets the greater share of your |
| 1:19.1 | time, the beef cattle or the music? Well, I like to think that I do music on the side that I'm |
| 1:23.9 | really a farmer, but unfortunately that's not true. In the sense that I always wanted to be a farmer |
| 1:29.7 | initially, but conducting soon became the most important thing in my life. And I've tried to combine |
| 1:38.5 | being a conductor with a love of the countryside and also for the last 10 years an active involvement |
| 1:44.4 | in farming again. And if you like your music authentic, what about your farming, is that organic? |
| 1:51.1 | It is. I actually unload the word authentic because I don't, I mean, it suggests something sterile |
| 1:55.4 | and sort of museum-like. And I know what people mean by it, but it's not really something |
| 2:01.0 | that means a lot to me personally. I mean, historically aware or something like that is |
| 2:07.4 | probably near the market. It is the problem isn't it that people, when you say you like authentic |
| 2:11.3 | instruments and original music, they people think it's going to be dry and dusty and academic and |
... |
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