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Desert Island Discs

John Drummond

Desert Island Discs

BBC

Society & Culture, Music Commentary, Music, Personal Journals

4.413.7K Ratings

🗓️ 26 June 1994

⏱️ 39 minutes

🧾️ Download transcript

Summary

The castaway in Desert Island Discs this week is the Director of the Promenade Concerts John Drummond. He'll be talking to Sue Lawley about his years at the BBC, starting as a general trainee, leaving it to become Director of the Edinburgh Festival and returning as Controller of Music and then Controller of Radio Three. He'll be discussing his passionate attachment to fine music and musicianship and his conviction that such music should not just be heard, but must be properly listened to.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Soave Sia Il Vento from Cosi fan Tutte by Wolfgang Amadeus Mozart Book: Encyclopaedia of the libretti of all the well-known operas Luxury: Small theatre

Transcript

Click on a timestamp to play from that location

0:00.0

Hello, I'm Krestey Young, and this is a podcast from the Desert Island Discs archive.

0:05.0

For rights reasons, we've had to shorten the music.

0:08.0

The program was originally broadcast in 1994, and the presenter was Sue Lawley. My castaway this week is a broadcaster and man of the arts. His father was a sailor, his mother a singer, and he

0:35.1

their only child enjoyed a happy and highly creative upbringing. He went to Cambridge where he

0:40.0

got a first, joined the BBC as a general trainee, and went on to make many successful

0:44.7

arts programs.

0:46.4

At the age of 44, he was made director of the Edinburgh Festival.

0:50.2

Six years later, he was back at the BBC first as controller of music then as controller of

0:54.7

radio three for the past two years he's directed the promenade concerts whose

0:59.0

hundredth anniversary falls this year passionate the arts, he remains protective of them. Music he says

1:06.2

shouldn't simply be heard but listen to. He is John Drummond. So the whole concept of background music is an athema to you is it John?

1:15.0

No I understand it. I mean all of us love music and some people like music as a background

1:19.2

of their lives but it's not the only place for music and I worry very much about an idea that somehow or other

1:24.8

that music can exist as wallpaper.

1:27.8

The French have a wonderful phrase for it.

1:29.2

They call it music d'Amblement, furnishing music.

1:32.9

And it's as if somehow your dinner table needs, you know,

1:35.3

wallpaper of Marla or something.

1:37.1

And I do know.

1:37.8

That's fine in its place.

1:39.3

I don't mind that, but what I want is that when people take music seriously they take it seriously

1:43.5

so you're saying that it's all right if we sit at home and put on a you know

...

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