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0:00.0 | You are a human animal. |
0:07.7 | You are a very special breed, |
0:11.6 | for you are the only animal. |
0:15.1 | Who can think, who can reason, who can read? |
0:18.3 | Hi, this is Michael Sulferblad, and welcome to Bookworm. |
0:21.5 | Today my guest is Jim Harrison, the author most recently of Julep, but author as well, shall |
0:27.7 | we do them in order of Wolf, a Good Day to Die, Farmer, Legends of the Fall, Warlock, |
0:33.4 | Sundog, Dalva, the woman lit by fireflies, and eight collections of poetry, most recently the theory and |
0:40.1 | practice of rivers. The new book, Julep, is a collection of novellas, three of them, and it begins with a |
0:50.3 | quote from Rilke, which is when the wine is bitter, become the wine. |
0:56.7 | Now, I took this to be a statement that when the culture, American culture, becomes bitter |
1:05.7 | or sour, the writer has to reflect it. |
1:09.2 | Well, that's partly, I think, too, what I meant in any culture addicted to the most banal |
1:20.6 | psychologists and so on, what people don't realize is that if you're in a state of anguish, you have to go through the anguish. |
1:30.6 | There isn't a quick fix to get out of the anguish. |
1:34.4 | And so when the wine is bitter, you have to become the wine. |
1:41.0 | Did these three novellas go together for you thematically, or are they more randomly? |
1:48.1 | This is more, say, random than the first book of novellas, but in order, Julep. |
1:57.4 | For instance, I don't think I've ever written a novella that I haven't thought of for three or four years. |
2:04.2 | That's just my work process. |
2:07.7 | And both Julep and the beige Dolorosa, we're sort of conceived at the same time. |
2:15.6 | So I'd have to keep different notebooks. |
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