Everybody want to know what I would do if I didn't win.

I guess we'll never know. I don't get enough up here. Jesus just rose again.

Listen to the kids.

Welcome to watching the throne.

A lyrical analysis of Connie West.

My name is Chris Lambert.

And my name is Travis Bean, and we are back for part two of Jesus Lord.

Because it's that kind of song where you have to do it.

One part isn't enough.

You know, three parts is too much, although we could do it.

Who knows?

It remains to be seen if this could be a three-part episode.

But two parts, it's necessary for songs like this.

You know, you got your runaways, you got your St. Pablo's, get your no more parties in L.A.'s.

You've got your Jesus Lord.

It's just how, you know, it's the way the peanuts shake out of the bag.

This is what's happening. yeah if we take over an hour on a song like danda chants that's not even a minute you got to imagine

the length that we go on a song that's nine minutes long and involves this many bars yeah

so this is uh this is exciting though i will say the most exciting part of jesus lord to me

is still yays verse I know there are people

that think like J Electronica and 5 you have the best verses on the album and while this is like a great verse

and very like thoughtful like the wordplay is amazing the imagery that he uses is amazing I'm still still a yay homer, you know. I would say on both the

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