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Toure Show

Jesmyn Ward–I Write

Toure Show

DCP Entertainment

Society & Culture, Arts, Performing Arts

4.8880 Ratings

🗓️ 1 May 2020

⏱️ 9 minutes

🧾️ Download transcript

Summary

This is a Friday Patreon Exclusive! Go to patreon.com/toureshow to hear the whole ep! For $5 a month you get 4 Patreon Exclusives a month! Patreon.com/toureshow Instagram: @toureshow Twitter: @toure See acast.com/privacy for privacy and opt-out information. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support the show: https://www.dcpofficial.com/toureshow See omnystudio.com/listener for privacy information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Just. Jasmine Ward is one of the great writers of our time. She's won two national book awards and the MacArthur Genius Grant. She's the author of Salvage the Bones,

0:23.8

Men We Reaped, and Sing Unburied Sing.

0:27.5

I wanted to get her to talk about her work

0:29.6

in a really detailed granular way.

0:32.6

So I asked her to read her work and deconstruct a bit of it.

0:36.7

So this is a piece of her talking about her book, Men We Reaped.

0:41.8

So when I was in graduate school for creative writing one of the things that we would do is the

0:48.0

professor would take a paragraph or a sentence and I'm sure you do this with your students and he would go through

0:55.2

with a fine-tooth comb all the choices that the writer had made and why the

0:59.6

writer begins with this word and ends with this word and look at the shape of the

1:04.4

sentence and look at how he or she does it. So I want to see if we can do that with a

1:08.8

sentence or a paragraph of yours. There's a paragraph in men we've reaped that comes at the end, toward the end of the

1:17.6

introduction that I want to ask you to read and then just as granularly as you can for the writers who are

1:26.8

listening and who love you like just why you made some of the choices you

1:31.1

made and this paragraph I pulled out because it's beautiful and it's

1:38.4

powerful and it's a it's a real building block of the book. It really sets the intention of why I wrote this book. So it has a lot of importance.

1:47.0

Okay. So this here if you could please.

1:52.0

Okay.

1:53.7

From 2000 to 2004, five black young men I grew up with died all violently and seemingly

1:59.6

unrelated deaths.

2:01.0

The first was my brother, Joshua, in October 2000. The second was Ronald in December

2:05.6

2002. The third was CJ in January 2004. The fourth was DeMond in February 2004. The last was Roger in February 2004.

...

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