Summary
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| 0:00.0 | Funds for Bookworm are provided in part by Lannin Foundation. |
| 0:08.0 | You are a human animal. |
| 0:10.0 | You are a very special breed. |
| 0:14.0 | Or you are the only animal. |
| 0:18.0 | Who can think, who can reason, who can read. |
| 0:22.9 | Hello and welcome to Bookworm. |
| 0:25.1 | I'm Michael Silverblatt, and today my guest is Jerome Rothenberg. |
| 0:28.7 | He is the co-editor of an extraordinary new anthology called A Book of the Book, some works |
| 0:37.4 | and projections about the book and writing. |
| 0:40.4 | It comes from granary press, and the reason I invited Jerome Rothenberg is because he's practically, |
| 0:50.2 | to my mind, the inventor with his first large anthology, Technicians of the Sacred, |
| 0:58.3 | of a new kind of anthology, an anthology that begins by redefining its field. |
| 1:06.2 | He said back then when Technicians of the Sacred came out, and that book is still in print from University of California press, |
| 1:14.3 | that a poet is a technician of the sacred, and then went on to consider what the range of being a technician of the sacred would involve. |
| 1:26.4 | So by the time I finished reading that anthology when it first came out, my ideas about |
| 1:31.4 | poetry had entirely expanded and altered. |
| 1:35.8 | Now we have a book of the book at a time when everyone is saying, we doubt it, that the book |
| 1:42.5 | is over. |
| 1:43.9 | This is to remind us of the radical aspirations |
| 1:47.5 | and possibilities that artists, writers, poets have found in the very idea of the book itself. |
| 1:55.9 | Now, I believe that at one point when this consideration of the book began, that you were re-inspired |
| 2:05.3 | by Malarmay, who said that the book is really a spiritual project. |
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