4.4 • 13.7K Ratings
🗓️ 26 June 1988
⏱️ 37 minutes
🧾️ Download transcript
Having left television to become General Director Designate of the Royal Opera House, Covent Garden, Jeremy Isaacs this week contemplates another change of direction - to the mythical island. In conversation with Sue Lawley, he chooses eight records to take with him.
[Taken from the original programme material for this archive edition of Desert Island Discs]
Favourite track: The Marriage Of Figaro by Wolfgang Amadeus Mozart Book: A compilation by Benny Green Luxury: Frogman's outfit and snorkel
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0:00.0 | Hello I'm Kirstie Young and this is a podcast from the Desert Island Discs archive. |
0:05.0 | For rights reasons, we've had to shorten the music. |
0:08.0 | The program was originally broadcast in 1988 and the presenter was Sue Lawley. My cast away this week is a man who belongs to what appears nowadays to be a dwindling group of people, |
0:34.8 | much-loved broadcasting executives. |
0:37.5 | At I TV in the BBC and latterly as Chief Executive of Channel 4, |
0:41.8 | he has starkly defended the principles of public service |
0:44.8 | broadcasting and been responsible for a wide range of distinguished television |
0:49.4 | programs from panorama to the World at War. |
0:53.0 | At the beginning of this year he deserted the minefields of the Tele for the equally |
0:57.6 | treacherous territory of International Opera, where as general director designate of the Royal Opera House Covent Garden, he could enjoy influence over the other great passion in his life. |
1:08.0 | He is Jeremy Isaacs. |
1:10.0 | I wonder Jeremy, if you had to choose between producing a great opera or a powerful |
1:16.0 | documentary program which would it be? |
1:18.0 | If I had to do it myself of course I could only do the documentary because I wouldn't begin |
1:21.9 | to know how to produce opera. But I mean I haven't |
1:26.5 | exchanged making programs for making opera productions. I have exchanged presiding |
1:31.8 | over a channel in which people could make decent programs for an |
1:36.2 | opera house in which I hope people will put on splendid operas and splendid ballets, because of |
1:40.8 | course I've got the Royal Ballet and Sanders Wells Royal Ballet as well as the |
1:44.0 | Royal Opera to look after. |
1:45.0 | But let me ask you first about the island and music and presumably it will be your |
1:50.2 | salvation. |
... |
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