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Whiskey Riff Raff

Jason Boland

Whiskey Riff Raff

Whiskey Riff

Colorado, Chicago, Interviews, Texas, Country Music, Whiskey Riff, Nashville, Country Music News, Music, Tequila, Humor, Beer, Whiskey

4.81K Ratings

🗓️ 27 December 2021

⏱️ 46 minutes

🧾️ Download transcript

Summary

The great Jason Boland joins the podcast to discuss his phenomenal alien abduction concept album, 'The Light Saw Me,' coming up in red dirt scene, working with Shooter Jennings, songwriters vs entertainers, examining the existential nature of concepts like love and consciousness, fungi and more.

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Transcript

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0:00.0

We're recording with Jason Boland. The stragglers aren't here, but Jason Boland is.

0:19.2

I was going to ask you real quick about the band name. Did you bring that up right before

0:26.5

we started by like the band names and then some guys have it and then some guys don't or some

0:30.1

guys get rid of it. Yeah, I was just in the Texas Red Bird scene in general. A lot of guys kind

0:35.4

of started with the band name, Cody Johnson, Casey Donahue, and then kind of dropped it as a years

0:41.7

go by, but I feel like you've held on to it for a long time. Yeah, I think when we started out,

0:51.4

it was, we wanted it just to be a band. In fact, we talked about it as calling ourselves the

0:56.1

stragglers and because I had started playing acoustic around a few different places, they just said,

1:03.5

you know, for now we'll just go with this and you know how life is, man, it's always for now,

1:08.4

we're going to go with this and that's what it ends up being. But I always wanted it to be a band

1:14.2

and I always think that if you're the type of outfit that you know writes most of your music or has,

1:23.6

you know, people from within your organization or people you know, so it keeps a consistent

1:28.2

vibe of your material and you record with most of those people, even if it's still some people kind

1:35.4

of out right outside, but you always end up working with all the same folks. I think that

1:42.6

that creates something that we've always gone forward and it's got us where we're going and

1:51.2

it always, it always made sure it freed up the other people involved with it to have their voice,

1:59.2

play their cellos, I don't tell them what's always to play, I don't tell them what, you know,

2:03.6

we go for different vibes and everybody will take this around a certain way, but we always

2:10.3

approached it that everybody got to put in their two cents as much as we could, you know. I think

2:16.8

it always helped people live together and it helped the songs also fall throughout live performances

2:23.2

because really when you when you think about any song, go back and like stuff off of like

2:30.4

Hockey Tunk Heroes or some old Murl stuff, it's it's real what we would call today sparsely produce.

...

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