Hello, this is Simon Brew.

I'm the editor of Film Stories magazine and a very warm welcome to the Film Stories podcast.

Come with me.

And I show you how deep the rabbit hole goes.

In movies.

Movies that had stories.

That the story just sucks a man.

This is just the beginning.

There are stories. We would beoured if you would join us.

Hello and a very warm welcome to film stories with Simon Brew.

I am Simon Brew. It's all you need to know about me.

Aim of the podcast, well, I'm here to talk of the stories of films.

And I tend to talk production stories, development stories, behind the scenes, well, I'm here to talk of the stories of films. And I tend to talk production

stories, development stories, behind the scenes, bits and bobs, things that go to make the films

that we know and love, just that, the films that we know and love. What you've stumbled

across here, and you're very, very welcome. Thank you for for joining me is one of my occasional special episodes

where i'm lucky enough to be joined by a guest who is talking about one of their upcoming films

or in this case a kind of broader conversation um as much because i want to be spoiler light as

anything else about film production, about current

Hollywood, about Slater movies. And so I'm joined by producer Jason Blum who has, through his

Blumhouse productions, backed a variety of projects. Low budget projects with high amounts of

filmmaker control films like Get Out, Split, whiplash, the purge movies,

...