Jane Wiedlin of the Go - Go's
Tony Mantor's : Almost Live..... Nashville
Tony Mantor
5.0 • 3.2K Ratings
🗓️ 7 January 2026
⏱️ 27 minutes
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| 0:00.0 | My career in the entertainment industry has enabled me to work with a diverse range of talent. |
| 0:20.0 | Through my years of experience, I've recognized |
| 0:22.6 | two essential aspects. Industry professionals, whether famous stars, or behind-the-scenes staff, |
| 0:30.1 | have fascinating stories to tell. Secondly, audiences are eager to listen to these stories, which |
| 0:36.3 | offer a glimpse into their lives and the |
| 0:38.7 | evolution of their life stories. This podcast aims to share these narratives, providing information |
| 0:44.7 | on how they evolve into their chosen career. We will delve into their journey to stardom, |
| 0:50.1 | discuss their struggles and successes, and hear from people who help them achieve their goals. |
| 0:55.0 | Get ready for intriguing behind-the-scenes stories and insights into the fascinating world of entertainment. |
| 1:04.0 | Hi, I'm Tony Mantor. Welcome to Almost Live Nashville. |
| 1:07.0 | Joining us today is Jane Weidlin. She's a true trailblazer in music and culture. She's |
| 1:13.6 | a founding member of the Go-Go's, the first all-female band to write their own songs, play their |
| 1:19.3 | own instruments, and top the charts. Beyond the music, she's an acclaimed songwriter, actor, |
| 1:25.6 | activist, and voice for compassion and creativity. From timeless hits |
| 1:30.1 | to a career rooted in creativity and purpose, she has such a great story to tell. So before we |
| 1:35.9 | dive into our episode, we'll be back with an uninterrupted show right after a word from our sponsors. |
| 1:42.2 | Thanks for coming on. I'm happy to be here. |
| 1:44.9 | Yes, nice to have you here. |
| 1:46.4 | Looking back, what was it like being a young woman in the LA punk scene? |
| 1:50.9 | And did you ever imagine the go-goes would have the impact that they have had all these years now? |
| 1:56.8 | Well, it was a very small scene, and I discovered it at the end of 1976. |
| 2:05.9 | Let's see. |
... |
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