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0:00.0 | You are a human animal. |
0:07.6 | You are a very special breed. |
0:11.5 | Or you are the only animal. |
0:15.1 | Who can think, who can reason, who can read. |
0:19.0 | Hi, this is Michael Sulfurblad, and welcome to Bookworm. |
0:22.4 | Today, my guest is James Kelman, author of How Late, published in America by Norton. |
0:29.0 | It's the winner of the 1994 Booker Prize. |
0:33.2 | And I wanted to begin by asking you, is this book your work considered radical work in Scottish, modern Scottish literature? |
0:48.3 | It is now more. It's taken a bit of time, I think, for people to work out what was actually happening. |
0:53.3 | You know, that |
0:54.4 | worked by the selects of myself or the poet Tom Leonard. |
0:59.5 | And, you know, it's been difficult for maybe for people to see a context, and it's taken |
1:06.2 | a while, really. |
1:07.9 | I think it's, and it also took people a while to see that there may have been something of formal interest in it. |
1:14.9 | And that actually pertains to what occurred after the Booker Prize Award. Some of the elitism and incredible bias against my work is similar to what happened earlier on when I was writing. |
1:33.0 | Now, because you write of a subject matter that some people in society would consider to be |
1:40.1 | of the lower orders, they think therefore that it's impossible for anything written about them |
1:46.2 | or about the lower or within the lower orders to have literary merit. Now even in this novel |
1:52.2 | I would still be asked by people if whether a revise. Now I was asked that after a disaffection won |
1:59.3 | another literary award in five years ago. |
2:03.6 | And one of the judges in there who awards the prize take myself my wife for a meal, you know, |
2:10.2 | and he said, do you ever revise? |
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