James Bowman
Desert Island Discs
BBC
4.3 • 14.3K Ratings
🗓️ 9 April 1995
⏱️ 36 minutes
🧾️ Download transcript
Summary
The castaway in Desert Island Discs this week is the country's most distinguished counter-tenor James Bowman. He'll be talking to Sue Lawley about how he uses his voice as an instrument, producing the unusually high falsetto sound which characterises counter-tenor parts. He'll also be describing his association with Benjamin Britten, who offered him his first part - as Oberon in Britten's opera A Midsummer Night's Dream. Britten went on to write parts for him in Death in Venice and The Journey of the Magi, all of which have contributed to his highly successful career.
[Taken from the original programme material for this archive edition of Desert Island Discs]
Favourite track: Symphony No 2 in D, Op 73 by Johannes Brahms Book: Rebecca by Dame Daphne Du Maurier Luxury: Fabergé egg
Transcript
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| 0:00.0 | Hello I'm Kirsty Young and this is a podcast from the Desert Island Discs archive. |
| 0:05.0 | For rights reasons, we've had to shorten the music. |
| 0:08.0 | The program was originally broadcast in 1995, and the presenter was Sue Lawley. My castaway this week is a |
| 0:35.0 | singer physically he's a big man but in contrast his voice is unusually high |
| 0:36.0 | he's a leading member of that increasingly important band of musical specialists |
| 0:40.0 | the countertenors |
| 0:41.0 | after Oxford where he won a scholarship he auditioned for |
| 0:44.4 | Benjamin Britain who immediately offered him the part of Oberon in his opera |
| 0:48.3 | a midsummer night's dream. Since then he's hardly been out of work, establishing himself as this country's most distinguished |
| 0:55.1 | countertenor and overseeing a renaissance in Baroque music. |
| 0:59.5 | He himself remains modest about these achievements. |
| 1:02.0 | My greatest claims to fame, he said, are that I knew |
| 1:04.9 | Benjamin Britain and Peter Peers and that I once had lunch with Maria Callis. He is James Bowman. |
| 1:10.5 | Did you really have lunch with Maria Callis? I certainly did in a hotel in Turin, yes. I remember very clearly. |
| 1:15.0 | Was it an impressive occasion? |
| 1:17.0 | It was rather sad in a way. She was sitting there on her own having lunch and the people, I was with Raymond Leibald at the time, |
| 1:22.0 | and Cisto Bruce Cantini, Italian Baritone and they knew her of course and they said |
| 1:26.6 | come on and join us for lunch and she was sitting there rather sadly with her dark glasses |
| 1:30.5 | on. It was like something out of separate tables. |
| 1:34.0 | Well now tell me about this voice because you have a critic has written the physical |
| 1:39.1 | stature of a rugby forward. Well I used to pay rugby, yes. Oh, did you? |
| 1:43.0 | Very badly at school, yes. |
... |
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