Hi, my name is Jack McBrare, and I feel honored about being Conan O'Brien's friend.

Hello there. Welcome to Conan O'Brien's Needs A Friend. As always, join my good pals.

That's not a real sentence. I said, join my, join my good pals. This is Stroke Prevention Week.

Do you think you're having a stroke, immediately choose some aspirin, and then operate on your

own head with a knitting needle? I'm here with Matt Gourley, and I'm here with Sonny M obsessed

in. Now I can feel my face again. I want to mention someone who I, I believe we brought him into

the conversation before, but he's one of the unsung heroes here at Wardo. Eduardo. Yes.

You do a wonderful job. Thank you, sir, as do you. You're on thin ice just me at Wardo.

Oh my God. What is your, what is your exact title at Wardo? Audio engineer for simple terms.

Production audio engineer, whatever you want to call it. So Eduardo, when I get along fine,

he's very good at what he does, and he did a brilliant job setting up this new podcast

studio that we have, and we are indebted to, sir. But you and I have run a foul of one another.

We have because I guess you're a music fan, and you started in my opinion aggressively choosing

the music that would be playing even before we start recording. So I would come in, and you made

some strong choices early on. I played some, I think you called it aggressive jazz when I first

came in here, and it was Scootly Doot Doot Jazz. You know? Scatting jazz kind of.

Doot Doot Doot Doot Doot Doot Doot Doot Doot Doot Doot Doot Doot Doot Doot Doot Doot Doot.

It was that kind of jazz. And you, I didn't know if you were running an after hours club.

You offered me a brandy. You said have a seat, Daddy O. That's pretty good. I underestimated

your level of coolness. Oh, I see. Anywho, Eduardo, I came in and I said, what's

what the music and it's interesting. I think a lot of people in your position probably at that

point would have killed all music. But no, you kept swinging for the fences and every time

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