Ivan Turgenev's "A Dream"
The Daily Poem
Goldberry Studios
4.6 • 729 Ratings
🗓️ 10 November 2021
⏱️ 6 minutes
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Summary
Ivan Sergeyevich Turgenev (English: /tʊərˈɡɛnjɛf, -ˈɡeɪn-/;[1] Russian: Иван Сергеевич Тургенев[note 1], IPA: [ɪˈvan sʲɪrˈɡʲe(j)ɪvʲɪtɕ tʊrˈɡʲenʲɪf]; 9 November [O.S. 28 October] 1818 – 3 September 1883) was a Russian novelist, short story writer, poet, playwright, translator and popularizer of Russian literature in the West.
His first major publication, a short story collection entitled A Sportsman's Sketches (1852), was a milestone of Russian realism. His novel Fathers and Sons (1862) is regarded as one of the major works of 19th-century fiction.
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Transcript
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| 0:00.0 | Welcome back to The Daily Poem. I'm David Kern, and today is Tuesday, November 9th, 2021. |
| 0:06.1 | Today's poem is by a Russian novelist, storywriter, poet, playwright, translator. His name was Ivan Tegenev. |
| 0:13.8 | He is best known for his short story collection, a sportsman's sketches, and his novel Fathers and Sons. Sportsman Sketches was written in 1852, |
| 0:25.1 | and then Fathers and Sons was released in 1862. Hemingway famously called Turggen of one of the greatest |
| 0:31.3 | writers ever. And if you've never read a sportsman's sketches or fathers and sons, I highly recommend |
| 0:37.1 | that you check those out. |
| 0:38.9 | Now, today would have been his birthday. He was born November 9th of 1818, so just over 200 years |
| 0:46.2 | old would have been. And he also wrote prose poems particularly. So I wanted to share one of those |
| 0:53.7 | with you today. and it's called |
| 0:55.5 | a dream. It has a lot of the markings of his fiction writing to it. There's a narrative to this poem, |
| 1:03.2 | and it's a little bit long, so I may only read it once, but this is how it goes. This is a dream by |
| 1:08.7 | Ivan Turgenev. |
| 1:17.3 | I fancied I was somewhere in Russia, in the wilds, in a simple country house. |
| 1:21.8 | The room big and low-pitched with three windows. |
| 1:24.1 | The walls whitewashed. |
| 1:26.0 | No furniture. Before the house, a barren plain, gradually sloping downwards, |
| 1:31.8 | it stretches into the distance. A gray, monotonous sky hangs over it like the canopy of a bed. |
| 1:41.3 | I am not alone. There are some ten persons in the room with me, all quite plain people, |
| 1:47.0 | simply dressed. They walk up and down in silence, as it were stealthily. They avoid one another, |
| 1:58.0 | and yet are continually looking anxiously at one another. Not one knows why he |
| 2:05.0 | has come into this house and what people there are with him. On all the faces, uneasiness, and despondency, |
| 2:13.4 | all in turn approach the windows and look about intently as though expecting something from without. |
... |
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