4.6 • 806 Ratings
🗓️ 26 October 2018
⏱️ 21 minutes
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0:00.0 | Hello, and thanks for tuning in to another episode of The Directors Cut, a podcast by the Directors Guild of America, |
0:08.3 | featuring today's top directors sharing behind-the-scenes stories of their latest films and insights into the craft of directing. |
0:15.7 | Please take a second to subscribe to our show on iTunes or wherever you get your podcasts. |
0:22.6 | Check out the DGA website at DGA.org and hover over the craft tab to watch or listen to hours of content, such |
0:30.6 | as past episodes of the director's cut, videos of the Guild's 75th anniversary celebration, |
0:36.6 | and long-form interviews from our visual history program. |
0:45.7 | This episode takes us behind the scenes of director Alison Chernik's new documentary, Itzhak. |
0:51.7 | The film follows celebrated violinist Izhak Perlman, looking beyond |
0:56.1 | his performances to see the polio survivor whose parents emigrated from Poland to Israel, |
1:00.6 | and the young man who struggled to be taken seriously as a music student when schools only saw his |
1:05.8 | disability. Itzhak himself is funny, irreverent, and self-deprecating, and unspools his life's story in conversations with masterful musicians, family and friends, and most endearingly, his devoted wife of 50 years. |
1:20.5 | Itzhak was screened as part of the DGA's documentary series, which aims to spotlight groundbreaking nonfiction films for DGA members and guests |
1:28.4 | by presenting screenings of documentaries as well as conversations with their directors. |
1:34.2 | In addition to Itschak, Ms. Chernik's filmography includes the documentary feature Jackson Pollock, |
1:40.2 | loopholes. Following the screening of the film at the DGA Theater in Los Angeles, Ms. |
1:46.0 | Chernik spoke with director Robert Whitey about filming Itschak. During their conversation, |
1:51.0 | Ms. Chernik discusses the nine-month editing process, the technical concerns of shooting a |
1:56.0 | Verity documentary for a film deeply involved with music, and the importance of relying on one's instincts |
2:02.3 | when shooting a documentary. |
2:06.9 | I'm Bob. This is Allison in case you haven't figured that out. |
2:13.3 | I, first of all, congratulations. What a wonderful film. Thank you. I wouldn't say that if I didn't mean it. |
2:20.3 | When my wife and I watched this together and I turned her afterwards and I said, |
... |
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