Israel's Architecture of Occupation: Eyal Weizman on Gaza & Targeting of Jewish Pro-Palestinian Voices
Democracy Now! Audio
Democracy Now!
4.7 • 5.8K Ratings
🗓️ 22 March 2024
⏱️ 40 minutes
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| 0:00.0 | This is democracy now, democracy now. |
| 0:06.5 | The War and Peace Report. |
| 0:08.8 | I'm Amy Goodman with Nermann Sheik, as we continue with part two of our discussion with Aov Eidsman, the founder of |
| 0:15.8 | Forensic Architecture. |
| 0:17.9 | In part one of our discussion, we looked at a report published by the research group, Forensic |
| 0:21.9 | Architecture, which counters Israel's argument at the |
| 0:24.9 | International Court of Justice that it followed humanitarian policies to |
| 0:28.8 | safeguard civilian life in Gaza. South Africa argued in January before the ICJ that Israel was guilty of genocide |
| 0:36.6 | during its war on Gaza. The report argues that what Israel says are humanitarian evacuations in Gaza actually amount to the forced displacement |
| 0:45.8 | of Palestinians, which is a war crime. |
| 0:48.9 | For more, we continue in London with Eil Weitzman, a British Israeli architect who's the founder of forensic |
| 0:56.6 | architecture and professor of spatial and visual cultures at Goldsmiths College at the University of London. |
| 1:03.2 | He's the author of several books including Hallaland, Israel's architecture of occupation, |
| 1:08.8 | and the least of all possible evils, a short history of humanitarian violence. |
| 1:14.0 | He's also a member of the Technology Advisory Board of the International Criminal Court |
| 1:20.1 | and of the Center for Investigative Journalism. |
| 1:23.7 | Aoy, thank you so much for staying with us. |
| 1:27.0 | Eana, I'd like to begin by talking a little bit more about the background of forensic architecture and how you came to do |
| 1:35.6 | this work. You wrote a piece in 2019 called Open Verification. You say in the piece that more than a decade ago, I would have found the idea of a forensic |
| 1:48.3 | institute to be rather abhorrent, you wrote, but you said that your position changed in response to changes in the |
| 1:56.1 | texture of our present and to the nature of contemporary conflict. So if you could |
| 2:02.0 | you know elaborate on that what changes are you |
... |
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