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I got to see a very special sequence with the great buddy guy, among other things. State Farm gets it.

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I'm Sean Fennacyy. I'm Amanda Dobbins.

And this is the big picture at conversation show about weapons and Toronto.

Way back in the Halcyon days of early August, I recorded a solo episode covering one of the

year's biggest and most exciting new movies, weapons, by myself.

Well, Sierra and Amanda have seen it now. They're here to talk about it today, as well as yet another mega horror hit, The Conjuring Conclusion, Last Rights. But first, we have to talk about the Toronto International Film Festival, which has just concluded, which means our mean pod guy correspondent, Adam Naiman, is here. Adam, hello. Hey, guys. How you do? That doesn't seem very mean. You seem very gentle, pleasant. Did you just see a good movie? What happened? Yeah, I saw an embargoed film. It was good. Okay. The big question on the street in Toronto, I was asked this five separate times is, what is Sean Fennacy really like? Oh, no. Oh, wow. Because I quite mortifyingly kept getting embarrassed, recognized from the podcast. Oh, yeah. And then everyone, everyone's like, oh, you're that, you're out and for the podcast. I'm like, yes, this was especially true of the criterion line. This is the target audience.

So people like, what is, what is Sean Fennacy like? They also said, what's Amanda like? Amanda is a very nice. She's great. They're like, what is Sean like? They're like, what does this exterior disguise? Yeah. And I said, what you see is what you get. That became my line. an aging, insecure, festering boil

on the pox of cinema culture, right?

No. I came my line. An aging, insecure, festering boil on the pox of cinema culture, right?

No, no, no.

The only a couple people were like that.

Most people were like, he's great, you know.

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