Just above Rob's great question.

Great question, Rob, is Tour Talk's question.

Last week when you were replying about gospel,

use some terms I'm unfamiliar with,

like a G2 chord, also you said going four over five. Sounds like a Pontiac vehicle, right? Pontiac G2. I think I know what Tour Talk is talking about here. So, yeah, like a G2, it's really a G add too, if you're familiar with guitar, which I believe you are. It's really, instead of thinking about that A is the ninth,

because there's no seventh in this triad, right?

That triad is soul seven.

We were talking about like G2 over B.

And this actually goes to a talk right along with that triad conversation I was just having.

So when we have a B, like the third in the bass, which we do with this G major chord,

we don't want to double that third.

We don't want two Bs because it really, it really diminishes the punch of this chord.

But we can add a fourth note to this.

You can augment it with an A.

Add the two, right?

This voicing here in any inversion, actually.

Except for maybe this one.

Oh, even that sounds good as hell.

Hey, J.

B, G, A, D in any inversion, sounds awesome.

So this is what we were talking about when we were talking about G2.

As far as 4 over 5,

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