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Americano

Is Texas eating Hollywood?

Americano

The Spectator

Politics, News, News Commentary

4714 Ratings

🗓️ 14 July 2025

⏱️ 21 minutes

🧾️ Download transcript

Summary

Freddy Gray is joined by editor-at-large of The Spectator World, Ben Domenech. They discuss why Hollywood productions are being drawn away from California to states like Texas, and what this could mean for the future of filmmaking in America. Ben writes about this in the new edition of Spectator World, and you can subscribe to the print magazine here: https://thespectator.com/magazine/



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Transcript

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0:00.0

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0:22.9

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0:33.2

It's oddly predictable.

0:35.4

The sun appears, and so do your friends.

0:41.4

But I'm curious, do you make it delectable with Hendricks gin?

0:47.4

Oddly infused with rose and cucumber, it makes a curiously refreshing Hendrix and Tollick or Hendrik Sprits.

0:55.5

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0:57.5

Host Refreshingly with Hendricks Gym.

0:59.7

Please enjoy the unusual responsibly.

1:02.0

Be drink-aware.

1:20.8

Hello and welcome back to the Americano show where we talk about power, politics and prejudices in American life.

1:29.6

Every week we will talk to at least one or two or possibly three or four American experts, international experts about American affairs.

1:31.4

And you can also catch us on Spectator TV on YouTube as often as you like.

1:37.2

Please keep listening and watching.

1:40.1

Today we are going to be talking about how Texas ate Hollywood.

1:45.5

And that might sound a bit mysterious to some viewers and listeners.

1:50.5

But here to explain it to me is Ben Dominic, our editor at large, because inside our new edition of The Spectator, the monthly edition, the August edition, which is this beautiful cover

2:01.6

that has just gone to press. That's why we don't have the real version of it. Ben has a terrific

2:08.5

piece explaining how Hollywood is being taken over, principally, it seems, by Texas. Ben, explain what your piece is about.

2:19.5

Sure. So what I think people have been aware of for the last couple of decades is that within

2:26.3

both the international filmmaking sphere and within the American competing state environments, there have been a number of different

2:38.3

shifts in policy that have led to Hollywood essentially making a ton of content that is

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