4.4 • 645 Ratings
🗓️ 3 February 2022
⏱️ 48 minutes
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0:00.0 | Welcome to Current Affairs. My name is Nathan Robinson. I am the editor-in-chief of Current Affairs magazine. My guest today is Michael Hiltzik. He is a business columnist |
0:24.6 | at the Los Angeles Times. He won the Pulitzer Prize in 1999, and his latest book is Iron |
0:31.5 | Empires, Rubber Barron's, Railroads, and the Making of Modern America. Michael, nice to be with you. Thanks. It's good to be on with |
0:40.4 | you. You are a business columnist, but you've written a lot about COVID. And before we get to |
0:47.3 | the column that I wanted to ask you most about, which is causing a lot of controversy on social |
0:52.9 | media, I want to first ask you this. You know, which is causing a lot of controversy on social media. |
0:56.1 | I want to first ask you this. |
1:04.0 | You know, we know that the media over the course of the COVID pandemic has been full of nonsense, that the public discourse is really frustrating in many ways. |
1:10.5 | And people believe a lot of things that aren't true. |
1:14.0 | And we wish for a more sane national conversation about this virus and its effect on society. |
1:23.0 | So I want to start by asking you, what do you think are the main ways in which, |
1:31.3 | the main things that you want to convey with your writing that are important for the |
1:39.0 | public to understand? |
1:39.9 | And what would a more sane and reasonable discourse about COVID look like? |
1:49.3 | Yeah, that's a good question. |
1:51.1 | And I think this sort of fits into a phenomenon that I've observed over the years |
1:56.4 | whenever I've written about or covered complex situations, |
2:03.6 | complex circumstances, complex policies, what have you. |
2:07.6 | And that is that unfortunately, a lot of my fellow journalists |
2:11.6 | don't really see the need to put in the effort that's necessary |
2:15.6 | to educate themselves to the maximum |
2:19.4 | possible about these policies, programs, what have you. And I've written a lot about |
... |
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