4.5 • 942 Ratings
🗓️ 14 April 2016
⏱️ 11 minutes
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0:00.0 | So when an exhibition opens at an art museum, typically a few days before they hold an event that is called a press preview. |
0:07.5 | Now the idea behind a press preview is to invite members of the press to come down to see the exhibition, take images, shoot video, talk to |
0:14.8 | curators, and build stories around this that hopefully they will run in the media to promote the |
0:19.2 | exhibition by the time it opens. This morning is the press preview for Irving Penn's Beyond Beauty in |
0:24.7 | Dallas and I've been invited and I've also been invited to bring you guys along with |
0:28.7 | me so come on we're going to Dallas to see Irving Penn. Oh, Oh, mostly vogue you would do the covers in color and we have some wonderful pen color over there. |
1:27.0 | Except for one, Penn did the first black and white photo cover for Vogue and we have that wonderful |
1:33.0 | cover here as well. |
1:35.0 | What I love about this image is it's one of those key images that |
1:40.0 | is in a style that may not last very long for Penn, but yet it sweeps together a lot of things he had been thinking about and a lot of things that he would think about more. |
1:51.0 | And so it's a portrait portrait it's a still life and it has that wonderful strain of surrealism and it was done for a magazine article about this actress. |
2:02.0 | Margaret Sullivan was at the time one of the stars in |
2:07.0 | Broadway and it was a new play that had just opened called The Voice of the |
2:11.6 | Turtle where she plays this very curious and |
2:15.0 | sexually precocious young girl and that's the theme of it. And so what Penn has |
2:21.6 | done in this picture, totally styled by Penn, is given us the elements |
2:27.0 | of a surreal still life. I mean, what that hammer is doing, not breaking the egg. |
2:32.4 | So we've got an egg and we've got a hammer and we've got |
2:35.0 | some sort of medieval looking glass thing and we've got drawers that are partially |
2:39.3 | open with stuff coming out of them all very proud but and but. But as a portrait it's kind of odd because she's |
2:46.1 | not square in the center of it and in fact she seems to be hiding behind this other |
2:51.0 | thing so she's somewhere in the middle ground but there's stuff going on in the background |
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