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The LRB Podcast

Introducing Medieval Beginnings

The LRB Podcast

London Review of Books

Society & Culture

4.4 • 581 Ratings

🗓️ 2 December 2022

⏱️ 11 minutes

🧾️ Download transcript

Summary

Irina Dumitrescu and Mary Wellesley return with a new twelve-part Close Readings series, Medieval Beginnings, exploring the strange and wonderful literary landscape of the Middle Ages. Starting in January 2023, the series will consider well-known works such as Beowulf and Sir Gawain and the Green Knight, as well as many lesser-known texts, from across the European continent, that have all helped to lay the foundations of English literature. Listen to a sample here from their first episode, on Beowulf. Sign up to our Close Readings subscription: https://lrb.me/closereadingspod Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0

Hello. From January next year, Irina Dmitrescu and Mary Wellesley will be starting a new 12-part series of LRB

0:08.5

Close Readings podcasts, exploring the strange and wonderful literary landscape of the Middle Ages.

0:14.2

With a new episode appearing each month, medieval beginnings will consider some well-known works,

0:18.6

such as Bear Wolf and Segwayne and the Green Knight, as well as many lesser-known texts from across the European continent, that have all helped

0:25.5

to lay the foundations of English literature. If you subscribe to the full programme, as well as the

0:30.4

podcast episode, you'll get copies of all the key texts accompanying the series, and access to online

0:35.1

seminars with Mary and Arena and special guests including Simon Armitage.

0:39.5

You can find out more and subscribe at the link below or in the shop section of the LRB website.

0:44.9

Or go to lrb.me forward slash beginnings where you'll also find details of audio-only options.

0:51.7

In the meantime, here's a sample from their first episode on Beowulf.

0:56.1

Okay, Irina, how do we begin? I mean, perhaps the first question should be, what kind of a poem is Bearwolf?

1:05.4

I think most people think of Beowulf as a monster story. That's how it's usually depicted in movies.

1:10.7

That's the most obviously cinematic quality. You as a monster story. That's how it's usually depicted in movies. That's the most

1:11.7

obviously cinematic quality. You have a great hero, stronger and burlier than all the other men in his time.

1:19.2

He successfully rids a hall of two terrifying semi-human monsters, Grendel and Grendel's mother, both of whom have a propensity

1:28.9

for eating people. And then at the end of his life, after a long reign as king of his geotish folk,

1:37.1

he winds up fighting the dragon who is setting fire to all the settlements and dying in that

1:42.5

fight. So that's the general idea most people have of

1:46.5

Beowulf and it's fair because it is structured around these three monster fights. But at the same time,

1:52.5

Baywolf is a story about people and it's a story about people who make war and the way that war is

1:58.4

endless. And in the way that it's remained to us,

2:01.9

it's also a story about the things we don't know.

...

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