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You are listening to the next best picture Podcast in these Orgyne Lago's interviews with the star of the film Tuna, Leo Woodall, and the film's editor, Greg O'Brien. Excuse me? Yes, ma'am. The toilet's leaking. I'll give you an extra hundred. What did she say? She wants us to fix the toilet. We're piano tuners. We fix pianos. 200. 500, we'll talk. Harry Horwoods is piano tune and repair. This is Nikki B is my apprentice. He has a hearing condition. But believe it or not, is it virtuoso? Virtuoso, huh? Maybe you can inspire. Okay, thank you, Harry. Close your eyes. What's this?

C, F, F, sharp.

E7, flat nine.

F sharp, G, A, A, sharp, B over D sharp.

You never take those out?

No.

I get hypercustists.

I'm allergic to loud noises. Hello. Hello, everyone. I'm Giovanni Lago from the Next Best Picture podcast. And today I'm joined by the star of Tuna. Leo Woodall. Leo, thank you so much for joining me today. Hey, Giovanni. How you doing? I'm doing good. I mean, you know, Tuna was a film. I was very much champing out of TIF.

I've seen it twice now.

And each time, I mean, you know, Tuna was a film. I was very much champing out of tip. I've seen it twice now. And each time, I mean, the idea of a safecracker with hyperacusus fascinating logline, but I still think compared to the exhilarating safe cracking sequences, the best moments of the movie for me are when Nikki and Harry are just bullshitting on their

drives across the city, just going back and forth.

There's a lot of work you and Dustin Hoffman have to put in there to establish, you know,

a history between these characters in such a short period.

...