Interviews With The Production Designer & Cinematographer For "The Green Knight"

The Next Best Picture Podcast

Tv & Film

4.2 • 542 Ratings

🗓️ 9 August 2021

⏱️ 35 minutes

🔗️ Recording | iTunes | RSS

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Summary

There's no denying that David Lowery's A24 fantasy epic "The Green Knight" is one of the most visually stunning achievements of 2021. Every design element had to be meticulously planned, constructed, and executed to bring the Arthurian legend to the screen. Two of the people most instrumental in that process were Production Designer Jade Healy and Cinematographer Andrew Droz Palermo. Both were kind enough to spend a few moments with me discussing their work on the film, their collaborations with Lowery, and what they have coming up next. If you've seen the film, you know this is a conversation worth listening to! Enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0	You are listening to the Next Best Picture podcast, and these are my interviews with the production designer for the Green Knight Jade Healy and the cinematographer Andrew draws Palermo. You tell me a tale of yourself, so that I might know they.
0:32.6	I have none to tell. Yet you have none to tell.
0:39.7	Yet.
0:40.6	You have none to tell yet.
0:42.7	I am here today talking with the production designer for Vigreen Night, Jade Healy.
0:46.7	Jade, how are you today?
0:48.7	I'm fantastic.
0:50.0	How are you?
0:51.0	I'm doing great.
0:52.0	I saw your movie.
0:53.3	How could I not be doing great? Good. I'm doing great. I saw your movie. How could I not be doing great?
0:55.0	Good.
0:56.0	I'm so glad.
0:58.0	I'm so happy to be talking about this film, honestly.
1:01.0	Oh, I'm sure.
1:02.0	I'm sure.
1:03.0	It's not every day that you get called to work on an historical fantasy epic.
1:07.0	What is it like getting that kind of a call to work on an ambitious project like this? I mean, it's different because it's David, who is my longtime collaborator. So it's more like I get an email that's like, here's this draft of something I'm working on. I don't know what's kind of crazy. You know, that's more like that. And then I go, cool, when? And that's it. You know, and then we get into it.
1:27.8	So I was just excited that David was going to be doing something like I knew we were going
1:33.6	to do something more stylized and that was really exciting. You know, I was stoked.
1:38.4	I was like, yes, castles. Let's do this. He's definitely not a filmmaker that ever repeats
1:43.9	himself, which I'm sure is great creative
	...

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