4.6 • 1K Ratings
🗓️ 19 September 2019
⏱️ 56 minutes
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0:00.0 | From the leafy streets of Springwood, Ohio to the barred windows at 1428, |
0:11.0 | We are Halloween Halloween's this is God dream for me. Believe in my dream just for me. |
0:28.0 | And we'll break the mold. |
0:30.0 | Welcome back, all you dreamers out there to another episode of |
0:35.1 | Halloweenies of Freddie Cougar podcast. You're probably wondering wait a second we |
0:39.7 | just had a new nightmare what are we doing back in your feed? Well, we got a special bonus |
0:44.6 | episode. As we've been teasing on our socials, we talked to Nancy Thompson herself. |
0:49.6 | Yes, Heather Langenkamp, Heather Elizabeth Anderson these days and it was a really fun conversation. |
0:55.3 | Heather and I got to talk for over an hour actually about just everything from her |
0:59.8 | early days working with Francis Ford Coppola to her time in college when she got her job as |
1:04.6 | Nancy on a nightmare in Elm Street to all the sort of fears or lack of fears actually going |
1:10.3 | into new nightmare it was a a really, really fun discussion. She's wonderful. As you saw in our |
1:15.6 | socials, we actually got to meet her when she was in her in Chicago that following weekend. |
1:19.6 | Great person and I'm really, really excited for you to hear this interview finally now that we've actually finished the Nancy legacy |
1:26.3 | The true Nancy legacy because we've got the remake coming up, but you know when we think of Nancy you think of Heather Langen Camp. And you're going to hear from her right now. |
1:34.8 | The more she read, the more she realized what she had in her hands was nothing more or less |
1:41.6 | than her life itself, that everything she had experienced |
1:46.8 | and thought was bound within these pages. There was only |
1:55.0 | only her life. |
1:58.0 | You got into Hollywood, you know, |
2:01.0 | working as an extra with Francis Ford Coppola, and I wanted to know what were some of your earliest memories there. |
2:05.7 | Yeah, it was such a great introduction to filmmaking because Francis Ford Coppola was, I mean, such a master of his art form and at that time he had |
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