You are listening to the Next Best Picture podcast, and this is Amos Sassik's interview with the director and writer for the film April.

Dea Columbegishville.

There, we're, I'm sorry to say, I'm sorry to say, I'm sorry about.

This is our sound, group of sound like to be a specialist.

I don't know. Nina, we have always been a specialist. And I'm a lot of people. But we're not, we're not if we're going to be able to do with us,

but we're, if we're going to do with us,

the first reason, Nina, so, I had to have it for you.

It's incredible. Thank you so much.

Of course. How are you? Thank you. Good. How are you?

I'm doing just fine, a little tired, but I'm okay otherwise.

Thank you so much for your time today.

Is it okay if I take a screenshot?

Please do.

I'm happy that you enjoy my background.

Yeah.

Well, I'm so thrilled to be able to be speaking with you about your film.

I had the opportunity to watch it way back in Venice when it was premiered. And so I know that it's been a long journey for this film to come out. And so I'm happy that I had a chance to revisit it again.

And to have a lot of visceral reactions to this film, I think you knew exactly what you were doing

when making this film and really getting people to

talk about it and view it in a number of different ways so I applaud you for the the

ways that you come back you've put together this film it's not always easy to handle

though I would say because sometimes'm that very emotional of course.

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