You are listening to the Next Best Picture podcast, and this is Will Mavity's interview with the writer and director for another round. Thomas Vinterberg. I'd like to start aftain with a bit of time. I'm in a big. I'm just a guy. I'm just going to have a Dutchman, out of situous. Out of situous. Yeah. Yeah. It's good. It's not. It's not. It's good. The question is, what is in the reality is fornoff?

There's a...

A norsk philosopher, he means that a man's a foot with a half a mile for a little. I could there could have a good, like, so, like, sort of, like, to use a half a million, so, to get a little more self-saint. That we have all together, That you have you also need for.

I think it's spainty.

That's really also.

So that's what we do.

Aphalning, daily intents of alcohol, a tisstrapped, constant nivore, with a headblick on a insanning of evidence, psychological and psychotorical and psychotorical follow-virkins, and for-oved, social and fagulled, so it's only in the work-tides we drinker, but it's just like Hemingway. We drink not after 8 and not a weekend. Are you? Are you? Are you? Yeah! Nice! Yeah! Nice! Fuck, good day I'm saying what a life.

I'm so put it right now, because I'm going to get it right now.

I don't know it's so good enough.

I've had it so good as I have it now.

I think there are more to get it here.

Or, maybe.

It's a little higher up.

So we'll shift there. It is more. It's a little higher up. So we're skifter gear.

Are you full?

No, it's not.

We're not.

You're talking about for bonnet.

I've been a little bit of wood.

I've always since it was fine and you've experimented all

but this here, it's over.

I'm not going out from there. I to get out of there's no one here

...