Interview With "All We Imagine As Light" Director/Writer Payal Kapadia

The Next Best Picture Podcast

Tv & Film

4.2 • 542 Ratings

🗓️ 12 November 2024

⏱️ 20 minutes

🔗️ Recording | iTunes | RSS

🧾️ Download transcript

Summary

"All We Imagine As Light" had its world premiere at the 2024 Cannes Film Festival, where it won the festival's Grand Prix prize and received some of the most glowing reviews of the year for its writing, direction, cinematography, and performances. Director/Writer Payal Kapadia was kind enough to talk with us during the New York Film Festival about her work on the film, which you can listen to and watch below. Please be sure to check out the film, which will play in New York at Film Forum and Lincoln Center and Los Angeles at Laemmle Royal starting November 15th from Janus Films & Sideshow and is up for your consideration for this year's Academy Awards in all eligible categories including Best Picture, Best Director, and Best Original Screenplay. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Transcript

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0:00.0	Betway's countdown to Cheltenham is here.
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0:10.2	18 plus T's and CESAnsies apply, bet the responsible way, gambleaware.org.
0:14.8	You are listening to the Next Best Picture podcast, and this is Dan Baer's interview with the director and writer for all we imagine
0:22.5	is light, Pael Capadia.
0:25.0	This is Prairka.
0:29.0	I don't know.
0:32.1	Made in Germany.
0:34.8	Prabi-in-Germany.
0:36.0	Prapha, where, right?
0:40.3	Last time, I'll be there? No, Mr. President, where? No. Last time, I've been found out of course. The next time, you know,
0:42.3	so uprogan.
0:43.3	The girl,
0:45.3	how, you know,
0:47.3	this one,
0:48.3	this one can't
0:50.3	come in a
0:51.3	time.
0:52.3	No,
0:53.3	the son, my son,
0:57.0	my son,
	...

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