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The Important Cinema Club

INTERVIEW: Lizzie Borden on Love Crimes

The Important Cinema Club

Justin Decloux and Will Sloan

Tv & Film

4.7576 Ratings

🗓️ 1 August 2018

⏱️ 37 minutes

🧾️ Download transcript

Summary

For the first time on record, Writer/Director Lizzie Borden (Born in Flames, Working Girls) discusses her nightmarish experience making the erotic thriller LOVE CRIMES (1992) for Harvey Weinstein's Miramax Films.

Transcript

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0:00.0

Hello, my name's Justin the Clue, and I'm here today with Will Sloan.

0:03.0

And you're listening to a special episode of The Important Cinema Club.

0:06.6

A few weeks ago, we talked about the filmmaker Lizzie Borden, director of Born in Flames and Working Girls.

0:12.4

And on that episode, we talked about a film that she's credited with directing in 1992 called Love Crimes, starring Sean Young.

0:19.8

And after the episode was released, Lizzie Borden actually reached out to us through email

0:25.6

and offered to set the record straight of what actually happened around the making of love

0:30.6

crimes.

0:31.6

It's a difficult subject for her, and it's a big honor that she chose Justin and myself to

0:35.9

talk about it with.

0:36.9

If we could just start right from the beginning and ask you, how did love crimes come about? How did you get to that project? Well, there was a script by Alan Moyle that I really like a lot. And it didn't go to Meramax right away. There was a company called Sovereign. And I think for a while, you know, DiLorentis had it. But then

0:55.3

Harvey Weinstein, Merrimax got involved and they got involved because they wanted to do a film

1:01.4

with Sean Young, period. So Sean was not my choice, actually. Harvey had met her apparently

1:09.6

in some other, in some meeting, just a general meeting,

1:13.7

and he decided he wanted to make a film with her. So when he got this script, he decided that

1:18.9

this was the project. I don't think she read it. And I don't think she read it until we started

1:24.4

shooting. But what actually happened with the script was that by the time we were ready to shoot,

1:33.3

Harvey decided he wanted a completely different script.

1:36.7

He wanted some kind of revenge thriller instead of what we were intending to do with the script.

1:43.7

What happened was that there had been a rewrite, but then Harvey completely changed his

1:49.8

mind about what we wanted, so we ended up starting the film with no script, with a completely,

1:57.2

completely changed his mind on what he wanted.

2:00.8

And it was in Atlanta before the first. He completely changed his mind on what he wanted.

...

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