Interview: Jacqueline West and Julie O'Keefe (Killers of the Flower Moon) and Cynthia Erivo (Drift)

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Vanity Fair

Tv & Film

4.4 • 1.1K Ratings

🗓️ 17 October 2023

⏱️ 57 minutes

🔗️ Recording | iTunes | RSS

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Summary

First, Rebecca Ford talks to the two costume designers of Killers of the Flower Moon, who might have seemed like an unlikely duo — West, a veteran Hollywood costume designer, and O'Keefe, a member of the Osage Nation and experienced product manager — but teamed up to create some of the year's most stunning costumes. Then, David Canfield talks to Cynthia Erivo about the big leaps she took to make Drift, a moving independent film in which she stars as a Liberian refugee and also produces.

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Transcript

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0:00.0	Hello and And the Oscar goes to the winner. It's a tie. And any little girl who's practicing
0:17.0	and any little girl who's practicing their speech on the teller you never know.
0:25.0	Ma'am, I just wantady Rich. I am here for today's interview episode with Rebecca Ford.
0:37.0	Hi, and with David Canfield.
0:42.0	Hello. Today we have two... forward. Hi. Hi. And with David Canfield.
0:43.0	Hello.
0:44.0	Today we have two interviews.
0:46.0	Rebecca, first we hear your conversation with Jacqueline West and Julie O'Keefe, the costume designers
0:51.2	of Killers of the Flower Moon.
0:53.5	And then David, we'll hear your conversation with Cynthia Arivo
0:56.8	about her film Drift.
0:59.1	So Rebecca, you got the chance to talk to two
1:01.8	of the costume designers,
1:03.4	visionaries, incredible creatives behind
1:06.6	Killers of the Flower Moon, which is just as a mass of a film
1:10.3	as I think you would expect from Martin Scorsese
1:11.9	at this phase in his career.
1:14.0	And the costumes in particular required so much of these two designers and capture so much of this story.
1:21.0	I am really curious to hear what you talked to
1:23.1	Jacqueline West and Julie O'Keefe about. Yeah I'm sure you had the same
1:26.7	experiences I did when you saw this Katie is the costumes are so incredible
1:30.6	especially the detail that went into the Osage people's wardrobe because
	...

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