Interior Landscapes, Still Life Paintings, and the Absence of Curation with John Lee
Savvy Painter Podcast with Antrese Wood
Antrese Wood
4.8 • 941 Ratings
🗓️ 19 April 2018
⏱️ 60 minutes
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| 0:00.0 | Hey there it's Antries and welcome to another episode of the Savvy Painter |
| 0:07.6 | podcast. The Savvy Painter podcast is published every other week on iTunes Stitcher Radio, I Heart Radio, and Google Play. |
| 0:17.2 | If you are a painter who is looking for down-to-earth real-life conversations about art, how to |
| 0:21.9 | create it, and how to sell it, you are in the right place. |
| 0:25.0 | Sabby Painter has been downloaded over a million and a half times by artists in 150 countries. |
| 0:32.0 | This is the place where you will find your community. |
| 0:35.2 | You'll be inspired to create and you'll hear real stories from artists who are |
| 0:39.5 | thriving with their art. So if you are new to this podcast I want to welcome you to the |
| 0:44.7 | savvy painter community but make sure that you don't miss an episode. Sign up for |
| 0:49.4 | weekly updates, free guides, and workshop announcements. |
| 0:53.0 | Just go to savvy painter.com |
| 0:54.9 | forward slash subscribe. |
| 0:56.9 | It's that easy. |
| 0:59.3 | My guest this week is the artist John Lee. |
| 1:02.0 | Originally from the South John currently teaches in Virginia |
| 1:04.8 | at the College of William and Mary. He paints interior landscapes that primarily focus on |
| 1:09.7 | color and space. John has taken to heart the idea that rhythms in nature are |
| 1:14.8 | endlessly fascinating. He loves playing with images that have at least some |
| 1:19.0 | architectural elements in it. He's fascinated with vertical and horizontal planes. John describes himself as a |
| 1:25.1 | responsive painter. He paints what strikes him in the moment. It's less about |
| 1:29.2 | documenting what's there than it is about the particular moment he's experiencing. |
| 1:34.8 | We talk about labels and how, yes, it does help to rein in all the possibilities, but they are |
... |
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